Editing Battlestar Galactica: The Lowdown (Miniseries)
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*[[Ron D. Moore]] realizes that there was still a powerful story within the Original Series pilot. | *[[Ron D. Moore]] realizes that there was still a powerful story within the Original Series pilot. | ||
*Actor [[Richard Hatch]] says that the Original Series was a show about family, a show about people, with a chemistry between the characters that people enjoyed. | *Actor [[Richard Hatch]] says that the Original Series was a show about family, a show about people, with a chemistry between the characters that people enjoyed. | ||
*Actors [[Jamie Bamber]], [[Aaron Douglas]], and [[Katee Sackhoff]] also express their initial excitement of the old series and their involvement with the new miniseries. Douglas was "geeked up" with getting to work with the original [[Viper Mark II|Viper]] fighter styles used in the Original Series in his role as [[Galen Tyrol]]. Sackhoff was very excited to take on the role of | *Actors [[Jamie Bamber]], [[Aaron Douglas]], and [[Katee Sackhoff]] also express their initial excitement of the old series and their involvement with the new miniseries. Douglas was "geeked up" with getting to work with the original [[Viper Mark II|Viper]] fighter styles used in the Original Series in his role as [[Galen Tyrol]]. Sackhoff was very excited to take on the role of [[Kara Thrace]], despite the controversy of changing the gender of her character as opposed to her {{TOS|Starbuck|Original Series counterpart}}. | ||
*Ron Moore indicates how shooting would be done differently. Director [[Michael Rymer]] indicates the downplay of special effects in favor of storyline. | *Ron Moore indicates how shooting would be done differently. Director [[Michael Rymer]] indicates the downplay of special effects in favor of storyline. | ||
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The formation of the Cylons as a creation of humanity, as well as their resemblance to humanity, not only helped in the storyline, but also in saving in production costs. Another change in changing the gender of changing "Starbuck" as a female pilot steeled actress Katee Sackhoff's resolve to make the character work. Hatch agreed that the gender change was appropriate to the times to illustrate women positively, even if the change dramatically changed the character. Hatch understood the changes for the Re-imagined Miniseries, but also indicated that there was a "fine line" in keeping its heritage true to the Original Series. Director Michael Rymer notes the many versions of Shakespeare's ''Romeo and Juliet'', and how few people seem to have a problem with these variants. | The formation of the Cylons as a creation of humanity, as well as their resemblance to humanity, not only helped in the storyline, but also in saving in production costs. Another change in changing the gender of changing "Starbuck" as a female pilot steeled actress Katee Sackhoff's resolve to make the character work. Hatch agreed that the gender change was appropriate to the times to illustrate women positively, even if the change dramatically changed the character. Hatch understood the changes for the Re-imagined Miniseries, but also indicated that there was a "fine line" in keeping its heritage true to the Original Series. Director Michael Rymer notes the many versions of Shakespeare's ''Romeo and Juliet'', and how few people seem to have a problem with these variants. | ||
Olmos discusses the complexities of William Adama, from his difficulty in retiring, to the strife between | Olmos discusses the complexities of William Adama, from his difficulty in retiring, to the strife between [[Lee Adama]] and the death of his younger son, [[Zak Adama]]. Bamber's "Apollo," as he described it, is not a quintessentially heroic character, but flawed with huge relationship and self-esteem issues. Lee Adama questions everything that his life has been since it's a mirror of what he despised at the start of the miniseries--his father, Commander Adama. In contrast, the original Apollo, as Hatch recollects, is a family man that cared about his job and the quality of life--a "true blue hero type." | ||
[[Kara Thrace]], as Katee Sackhoff sees her, is a very powerful, self-confident character. The fight scene between Colonel Tigh helped the actress resolve doubts of Starbuck's strength through the characterizations of her short-temper. Olmos describes the character of Starbuck as "tough as any John Wayne movie I've ever seen." Sackhoff wanted to have Starbuck approach many situations in her life with masculine energy, "but with the emotions of a woman behind it." | |||
[[Mary McDonnell]], in her new role of [[Laura Roslin]], is an extremely powerful character that "carries herself very well," as Olmos notes. McDonnell says that Roslin felt very familar in the changes of her life in comparison to her own life as an actress. In particular, she wanted to explore the point of a woman dealing with power. Eick noted that the character of Roslin was specifically written with McDonnell and her authoritative personality in mind. | [[Mary McDonnell]], in her new role of [[Laura Roslin]], is an extremely powerful character that "carries herself very well," as Olmos notes. McDonnell says that Roslin felt very familar in the changes of her life in comparison to her own life as an actress. In particular, she wanted to explore the point of a woman dealing with power. Eick noted that the character of Roslin was specifically written with McDonnell and her authoritative personality in mind. | ||