Editing Battlestar Galactica: The Lowdown (Miniseries)
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*[[Ron D. Moore]] realizes that there was still a powerful story within the Original Series pilot. | *[[Ron D. Moore]] realizes that there was still a powerful story within the Original Series pilot. | ||
*Actor [[Richard Hatch]] says that the Original Series was a show about family, a show about people, with a chemistry between the characters that people enjoyed. | *Actor [[Richard Hatch]] says that the Original Series was a show about family, a show about people, with a chemistry between the characters that people enjoyed. | ||
*Actors [[Jamie Bamber]], [[Aaron Douglas]], and [[Katee Sackhoff]] also express their initial excitement of the old series and their involvement with the new miniseries. Douglas was "geeked up" with getting to work with the original [[Viper Mark II|Viper]] fighter styles used in the Original Series in his role as [[Galen Tyrol]]. Sackhoff was very excited to take on the role of | *Actors [[Jamie Bamber]], [[Aaron Douglas]], and [[Katee Sackhoff]] also express their initial excitement of the old series and their involvement with the new miniseries. Douglas was "geeked up" with getting to work with the original [[Viper Mark II|Viper]] fighter styles used in the Original Series in his role as [[Galen Tyrol]]. Sackhoff was very excited to take on the role of [[Kara Thrace]], despite the controversy of changing the gender of her character as opposed to her {{TOS|Starbuck|Original Series counterpart}}. | ||
*Ron Moore indicates how shooting would be done differently. Director [[Michael Rymer]] indicates the downplay of special effects in favor of storyline. | *Ron Moore indicates how shooting would be done differently. Director [[Michael Rymer]] indicates the downplay of special effects in favor of storyline. | ||
==The High Points== | ==The High Points== | ||
Moore felt that the Original Series was one of the "campiest," " | Moore felt that the Original Series was one of the "campiest", "glossiest", "over-the-top" productions of the 1970s. Hatch recalls his amazement of the sets and the expense used to produce the Original Series. Co-producer [[David Eick]] notes that, while ''Battlestar'' was generally known by many due to the massive marketing of the show in toys and other merchandise, not many people had actually seen the show in its single-season run. Eick realized that, to make the new series work, they had to work with the existing Original Series fanbase to create a new audience. | ||
The darkness of the destruction of the [[Twelve Colonies of Kobol]] as Eick and Moore proposed was intended spark viewer's emotions of the terrorist attacks of [[w:September 11, 2001|September 11, 2001]], and the malaise and sensations of doom those events wrought from people. | The darkness of the destruction of the [[Twelve Colonies of Kobol]] as Eick and Moore proposed was intended spark viewer's emotions of the terrorist attacks of [[w:September 11, 2001|September 11, 2001]], and the malaise and sensations of doom those events wrought from people. | ||
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The formation of the Cylons as a creation of humanity, as well as their resemblance to humanity, not only helped in the storyline, but also in saving in production costs. Another change in changing the gender of changing "Starbuck" as a female pilot steeled actress Katee Sackhoff's resolve to make the character work. Hatch agreed that the gender change was appropriate to the times to illustrate women positively, even if the change dramatically changed the character. Hatch understood the changes for the Re-imagined Miniseries, but also indicated that there was a "fine line" in keeping its heritage true to the Original Series. Director Michael Rymer notes the many versions of Shakespeare's ''Romeo and Juliet'', and how few people seem to have a problem with these variants. | The formation of the Cylons as a creation of humanity, as well as their resemblance to humanity, not only helped in the storyline, but also in saving in production costs. Another change in changing the gender of changing "Starbuck" as a female pilot steeled actress Katee Sackhoff's resolve to make the character work. Hatch agreed that the gender change was appropriate to the times to illustrate women positively, even if the change dramatically changed the character. Hatch understood the changes for the Re-imagined Miniseries, but also indicated that there was a "fine line" in keeping its heritage true to the Original Series. Director Michael Rymer notes the many versions of Shakespeare's ''Romeo and Juliet'', and how few people seem to have a problem with these variants. | ||
Olmos discusses the complexities of William Adama, from his difficulty in retiring, to the strife between | Olmos discusses the complexities of William Adama, from his difficulty in retiring, to the strife between [[Lee Adama]] and the death of his younger son, [[Zak Adama]]. Bamber's "Apollo", as he described it, is not a quintessentially heroic character, but flawed with huge relationship and self-esteem issues. Lee Adama questions everything that his life has been since it's a mirror of what he despised at the start of the miniseries--his father, Commander Adama. In contrast, the original Apollo, as Hatch recollects, is a family man that cared about his job and the quality of life--a "true blue hero type." | ||
[[Kara Thrace]], as Katee Sackhoff sees her, is a very powerful, self-confident character. The fight scene between Colonel Tigh helped the actress resolve doubts of Starbuck's strength through the characterizations of her short-temper. Olmos describes the character of Starbuck as "tough as any John Wayne movie I've ever seen." Sackhoff wanted to have Starbuck approach many situations in her life with masculine energy, "but with the emotions of a woman behind it." | |||
[[Mary McDonnell]], in her new role of [[Laura Roslin]], is an extremely powerful character that "carries herself very well, | [[Mary McDonnell]], in her new role of [[Laura Roslin]], is an extremely powerful character that "carries herself very well", as Olmos notes. McDonnell says that Roslin felt very familar in the changes of her life in comparison to her own life as an actress. In particular, she wanted to explore the point of a woman dealing with power. Eick noted that the character of Roslin was specifically written with McDonnell and her authoritative personality in mind. | ||
[[File:Starbucks at starbucks.jpg|thumb|{{TOS|Starbuck}} and | [[File:Starbucks at starbucks.jpg|thumb|{{TOS|Starbuck}} and [[Kara Thrace|Starbuck]] at Starbucks.]] | ||
An amusing bit comes when Original Series actor [[Dirk Benedict]] meets with Katee Sackhoff over coffee--Starbuck and Starbuck at [[w:Starbucks|Starbucks Coffee]]. Benedict notes that he did try out for the new series, although he didn't specify the role. Benedict humorously hands over a cigar to Sackhoff in a gesture of passing the torch of the Starbuck character to his new successor. Both actors agree that working in the Viper during filming is the worst part of production. Both actors humorously showed the confrontational "one of a kind" nature that both Starbuck personas reflect in debating if Benedict could be called "Starbuck" anymore.<ref>Dirk Benedict would later post a strongly dissenting opinion of the new series and the changes in the Starbuck character in an opinion essay posted on his official web site. See the article on [[Dirk Benedict]] for details.</ref> | An amusing bit comes when Original Series actor [[Dirk Benedict]] meets with Katee Sackhoff over coffee--Starbuck and Starbuck at [[w:Starbucks|Starbucks Coffee]]. Benedict notes that he did try out for the new series, although he didn't specify the role. Benedict humorously hands over a cigar to Sackhoff in a gesture of passing the torch of the Starbuck character to his new successor. Both actors agree that working in the Viper during filming is the worst part of production. Both actors humorously showed the confrontational "one of a kind" nature that both Starbuck personas reflect in debating if Benedict could be called "Starbuck" anymore.<ref>Dirk Benedict would later post a strongly dissenting opinion of the new series and the changes in the Starbuck character in an opinion essay posted on his official web site. See the article on [[Dirk Benedict]] for details.</ref> | ||
Technologically speaking, the only technology they wanted to carry through from the Original Series was the Viper, now known as the [[Viper Mark II]], leaving all else to be recreated to fit the miniseries. Eick noted that the movies ''[[Wikipedia:2001: A Space Odyssey|2001: A Space Odyssey]]'' and ''Blackhawk Down'' as inspirations in how the show's atmosphere should manifest. ''2001'' showed realistic space travel elements, and ''Blackhawk'' depicted a visceral reality to warfare that worked, even with a small plot. | Technologically speaking, the only technology they wanted to carry through from the Original Series was the Viper, now known as the [[Viper Mark II]], leaving all else to be recreated to fit the miniseries. Eick noted that the movies ''[[Wikipedia:2001: A Space Odyssey|2001: A Space Odyssey]]'' and ''Blackhawk Down'' as inspirations in how the show's atmosphere should manifest. ''2001'' showed realistic space travel elements, and ''Blackhawk'' depicted a visceral reality to warfare that worked, even with a small plot. | ||
James Callis reflects the cast's reaction to first viewing the [[CIC]] set. They were like kids in the [[w:Willy Wonka & the Chocolate Factory|"Willy Wonka" chocolate shop]]. Yet, Callis explained, everything looked as if it has always been there. The film style of [[w:Cinéma vérité|cinéma vérité]] was also used to give the sensation of the viewer feeling as if they were filming the show from their own camcorder--as if they actually were there. Moore wanted to show that neither ''{{RDM|Galactica}}'' nor her crew was anywhere close to the best ship or crew in the [[Colonial Fleet (TRS)|Colonial Fleet]] in contrast to the starship ''Enterprise'' and her various crews in the various ''Star Trek'' television series. ''Galactica'' is portrayed as just another ship in the military.<ref>The series reinforces ''Galactica'''s unimportance to the [[Colonial Fleet (TRS)|Colonial Fleet]] in the episode "[[Hero]], | James Callis reflects the cast's reaction to first viewing the [[CIC]] set. They were like kids in the [[w:Willy Wonka & the Chocolate Factory|"Willy Wonka" chocolate shop]]. Yet, Callis explained, everything looked as if it has always been there. The film style of [[w:Cinéma vérité|cinéma vérité]] was also used to give the sensation of the viewer feeling as if they were filming the show from their own camcorder--as if they actually were there. Moore wanted to show that neither ''{{RDM|Galactica}}'' nor her crew was anywhere close to the best ship or crew in the [[Colonial Fleet (TRS)|Colonial Fleet]] in contrast to the starship ''Enterprise'' and her various crews in the various ''Star Trek'' television series. ''Galactica'' is portrayed as just another ship in the military.<ref>The series reinforces ''Galactica'''s unimportance to the [[Colonial Fleet (TRS)|Colonial Fleet]] in the episode "[[Hero]]", which reveals that William Adama's reassignment from the battlestar ''[[Valkyrie]]'' to ''Galactica'' after a failed covert operation was considered a demotion.</ref> | ||
[[File:Lowdownbootcamp.jpg|thumb|The actors in formation training at their boot camp.]] | [[File:Lowdownbootcamp.jpg|thumb|The actors in formation training at their boot camp.]] | ||