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: ''Continuing from the events of the [[Miniseries]], ''{{RDM|Galactica}}'' and the [[The Fleet (RDM)|Fleet]] must avoid their [[Cylons (RDM)|Cylon]] pursuers, which ambush them every 33 minutes after each successful [[FTL|jump]].'' | : ''Continuing from the events of the [[Miniseries]], ''{{RDM|Galactica}}'' and the [[The Fleet (RDM)|Fleet]] must avoid their [[Cylons (RDM)|Cylon]] pursuers, which ambush them every 33 minutes after each successful [[FTL|jump]].'' | ||
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=== On ''Galactica'' === | === On ''Galactica'' === | ||
* The crew of [[Galactica type battlestar|battlestar]] ''{{RDM|Galactica}}'' have been on continuous alert for some 130.35 hours, during which time the Fleet has had to make an [[FTL|FTL jump]] every 33 minutes to escape their [[Cylons (RDM)|Cylon]] pursuers shortly after their initial escape from [[Ragnar Anchorage]]. | * The crew of [[Galactica type battlestar|battlestar]] ''{{RDM|Galactica}}'' have been on continuous alert for some 130.35 hours, during which time the Fleet has had to make an [[FTL|FTL jump]] every 33 minutes to escape their [[Cylons (RDM)|Cylon]] pursuers shortly after their initial escape from [[Ragnar Anchorage]]. | ||
* Everyone in the Fleet is beginning to feel the strain – particularly [[Gaius Baltar]], who is also distracted by [[Number Six| | * Everyone in the Fleet is beginning to feel the strain – particularly [[Gaius Baltar]], who is also distracted by [[Number Six|Six’s]] repeated conversations about [[God (RDM)|God]] having a plan for him, and also her wanting to have his children. | ||
* Vessels in the Fleet are also beginning to feel the strain: Jump engines and their controlling computers are starting to breakdown or malfunction, requiring ''Galactica'' to linger longer and longer in the Cylon line of fire while the rest of the fleet complete their jumps. | * Vessels in the Fleet are also beginning to feel the strain: Jump engines and their controlling computers are starting to breakdown or malfunction, requiring ''Galactica'' to linger longer and longer in the Cylon line of fire while the rest of the fleet complete their jumps. | ||
*[[Anastasia Dualla]] finds time to visit a team of people who are [[Fleet registry|cataloging survivors]] in the Fleet. When she cannot leave her photos to aid in searching for her loved ones, she is amazed to see a corridor that has been [[Memorial hallway|converted into a makeshift memorial]]. | *[[Anastasia Dualla]] finds time to visit a team of people who are [[Fleet registry|cataloging survivors]] in the Fleet. When she cannot leave her photos to aid in searching for her loved ones, she is amazed to see a corridor that has been [[Memorial hallway|converted into a makeshift memorial]]. | ||
* Elsewhere, [[Sharon Valerii|Sharon "Boomer" Valerii]] is having problems accepting her new [[ECO]], {{callsign|Crashdown}}, and is feeling guilty about leaving [[Karl Agathon|Karl "Helo" Agathon]] on {{RDM|Caprica}} to his fate. | * Elsewhere, [[Sharon Valerii|Sharon "Boomer" Valerii]] is having problems accepting her new [[ECO]], {{callsign|Crashdown}}, and is feeling guilty about leaving [[Karl Agathon|Karl "Helo" Agathon]] on {{RDM|Caprica}} to his fate. | ||
* Following jump number 237, [[Laura Roslin|President Roslin]] receives word from a Dr. [[Amarak]] aboard the ''[[Olympic Carrier]]'' concerning information on how the Cylons overcame Colonial defenses. | * Following jump number 237, [[Laura Roslin|President Roslin]] receives word from a Dr. [[Amarak]] aboard the ''[[Olympic Carrier]]'' concerning information on how the Cylons overcame Colonial defenses. | ||
* Overhearing the conversation, Baltar is worried: he knew Amarak at the [[Ministry of Defense]]. As Six points out, Amarak might have information on Baltar's complicity with the Cylon attack. | * Overhearing the conversation, Baltar is worried: he knew Amarak at the [[Ministry of Defense]]. As Six points out, Amarak might have information on Baltar's complicity with the Cylon attack. | ||
* There is insufficient time before the next jump to bring Amarak aboard ''[[Colonial One]]'', but Roslin wants to see him directly after the jump has been completed. | * There is insufficient time before the next jump to bring Amarak aboard ''[[Colonial One]]'', but Roslin wants to see him directly after the jump has been completed. | ||
* When the next jump is made, the ''Olympic Carrier'', complete with Dr. Amarak and 1,344 other souls, fails to appear with the rest of the Fleet. | * When the next jump is made, the ''Olympic Carrier'', complete with Dr. Amarak and 1,344 other souls, fails to appear with the rest of the Fleet. Six tries to convince Baltar that it is because God is watching over him. | ||
* Thirty-three minutes later, the Fleet is ready to jump, but the Cylons | * Thirty-three minutes later, the Fleet is ready to jump, but the Cylons don’t appear. Adama orders a stand-down from the immediate alert, but the Fleet is to maintain a readiness to jump, in case the Cylons do return. | ||
* When Baltar continues to refuse the concept of God, the ''Olympic Carrier'' reappears; Commander [[William Adama|Adama]] orders the Fleet to [[Action Stations|Condition One alert]], fearing the worst. He orders the jump clocks reset in anticipation of the Cylons arriving. | * When Baltar continues to refuse the concept of God, the ''Olympic Carrier'' reappears; Commander [[William Adama|Adama]] orders the Fleet to [[Action Stations|Condition One alert]], fearing the worst. He orders the jump clocks reset in anticipation of the Cylons arriving. | ||
*The [[Combat Air Patrol]] lead by {{callsign|Lee Adama}} intercepts the [[Intersun|starliner]]. Adama orders all communications with the ''Carrier'' jammed and the ''Carrier'' is ordered (through signal lamps) to remain at its current position. When the ''Carrier'' fails to heed orders not to approach the fleet, tensions rise, and a [[Radiological Alarm|radiological alarm]] reveals there is now a nuclear weapon on the liner. | *The [[Combat Air Patrol]] lead by {{callsign|Lee Adama}} intercepts the [[Intersun|starliner]]. Adama orders all communications with the ''Carrier'' jammed and the ''Carrier'' is ordered (through signal lamps) to remain at its current position. When the ''Carrier'' fails to heed orders not to approach the fleet, tensions rise, and a [[Radiological Alarm|radiological alarm]] reveals there is now a nuclear weapon on the liner. | ||
*As the crisis deepens, the Cylons appear precisely 33 minutes after the return of the ''Carrier'', confirming that the ''Carrier'' was used somehow by the Cylons to track the Fleet. Adama wants to destroy the liner, but Roslin hesitates to give the order, as no one can be sure if the 1,345 people aboard the ''Carrier'' are still alive. Baltar is terrified she won't give the order for fear of Amarak's information. | *As the crisis deepens, the Cylons appear precisely 33 minutes after the return of the ''Carrier'', confirming that the ''Carrier'' was used somehow by the Cylons to track the Fleet. Adama wants to destroy the liner, but Roslin hesitates to give the order, as no one can be sure if the 1,345 people aboard the ''Carrier'' are still alive. Baltar is terrified she won't give the order for fear of Amarak's information. | ||
*Six uses the hesitation to push Baltar into | *Six uses the hesitation to push Baltar into “repenting” before God. As soon as he does, Roslin gives the order to destroy the liner. Apollo and {{callsign|Starbuck}} (reluctantly) open fire, destroying the liner. After the Fleet makes a jump once more, the Cylons' relentless pursuit is halted. | ||
*A day later, everyone is living with the consequences of their actions. Only [[Billy Keikeya]] has a small nugget of good news: at some point in the proceedings, a baby was born in the Fleet aboard ''[[Rising Star (TRS)|Rising Star]]''. | *A day later, everyone is living with the consequences of their actions. Only [[Billy Keikeya]] has a small nugget of good news: at some point in the proceedings, a baby was born in the Fleet aboard ''[[Rising Star (TRS)|Rising Star]]''. | ||
===On Caprica=== | ===On Caprica=== | ||
* {{callsign|Helo}} is on the run in the rainy woodland, and has [[Wikipedia:Claymore mine|Claymore-like ordnance]] he uses to blow up pursuing [[Cylon Centurion]]s. | * {{callsign|Helo}} is on the run in the rainy woodland, and has [[Wikipedia:Claymore mine|Claymore-like ordnance]] he uses to blow up pursuing [[Cylon Centurion]]s. | ||
* Helo's six days on the run comes to an end when he is captured by the Cylons, after being distracted by the appearance of a [[Number Six]], wearing a white raincoat. | * Helo's six days on the run comes to an end when he is captured by the Cylons, after being distracted by the appearance of a [[Number Six]], wearing a white raincoat. | ||
*Helo is | *Helo is “rescued” by [[Sharon Agathon|a copy of Sharon Valerii]], who shoots Six and then leads Helo away into the woods. Helo mistakenly believes that this Valerii copy is actually the [[Sharon Valerii|"Boomer"]] copy that left Caprica and returned to rescue him. | ||
== Notes == | == Notes == | ||
=== Episode Notes === | === Episode Notes === | ||
*Continuous jumping badly affects the FTL drives and management systems aboard commercial Colonial vessels, which are not as rugged as ''Galactica'''s military-issue drives. | *Continuous jumping badly affects the FTL drives and management systems aboard commercial Colonial vessels, which are not as rugged as ''Galactica'''s military-issue drives. | ||
*The Cylons' FTL technology is more precise than the Colonials'. 238 times they manage to pounce on the Colonial fleet, arriving with precise momentum and trajectory to be able to close the distance and launch an attack. In the Season 2 episode "[[Lay Down Your Burdens, Part I]]," it is explained that the Cylons have far better navigational computers which allow more accurate jump plots and a greater range. | *The Cylons' FTL technology is more precise than the Colonials'. 238 times they manage to pounce on the Colonial fleet, arriving with precise momentum and trajectory to be able to close the distance and launch an attack. In the Season 2 episode "[[Lay Down Your Burdens, Part I]]," it is explained that the Cylons have far better navigational computers which allow more accurate jump plots and a greater range. | ||
*According to [[Socinus]], there are 5,251 people in the Fleet from [[Sagittaron]]. | *According to [[Socinus]], there are 5,251 people in the Fleet from [[Sagittaron]]. | ||
*The head count of Colonial citizens at the end of the episode is 47,973. | *The head count of Colonial citizens at the end of the episode is 47,973. | ||
*At first glance, there appears to be an error with Billy Keikeya's math with the [[survivor count]]. The episode starts with the count being 50,298. He informs Roslin this is in error by 300 = 49,998 survivors. When the ''Olympic Carrier'' is destroyed (1,345 people), he reduces the total to 47,972 – | *At first glance, there appears to be an error with Billy Keikeya's math with the [[survivor count]]. The episode starts with the count being 50,298. He informs Roslin this is in error by 300 = 49,998 survivors. When the ''Olympic Carrier'' is destroyed (1,345 people), he reduces the total to 47,972 – that’s a reduction of 2026, or 681 people ''more'' than listed on the ''Carrier''. However, in [[List of Deleted Scenes - Season 1 (RDM)#33|deleted scenes]] from this episode, Keikeya is actually reducing the survivor count additional times set between the beginning of the episode and the destruction of the ''Olympic Carrier''. These other deaths just occur off-screen. | ||
=== [[Continuity errors (TRS)|Continuity Errors and Retcons]] === | === [[Continuity errors (TRS)|Continuity Errors and Retcons]] === | ||
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*This episode won the [[Awards and Honors|2005 Hugo Award for Best Dramatic Presentation, Short Form]]. | *This episode won the [[Awards and Honors|2005 Hugo Award for Best Dramatic Presentation, Short Form]]. | ||
*When Season 1 premiered in the United States, "33" and "[[Water]]" aired back-to-back as a two hour TV event. This was also the case when [[Season 3 (2006-07)|Season 3]] first aired in the United States with the episodes "[[Occupation]]" and "[[Precipice]]". | *When Season 1 premiered in the United States, "33" and "[[Water]]" aired back-to-back as a two hour TV event. This was also the case when [[Season 3 (2006-07)|Season 3]] first aired in the United States with the episodes "[[Occupation]]" and "[[Precipice]]". | ||
*When the first few episodes of the series began airing in the US on the [[Sci Fi Channel]], title cards were shown at the beginning of each episode, i.e. "33" or "Water" flashing in white letters on a black screen, and then the episode would begin. These episode titles stopped midway in Season 1. | *When the first few episodes of the series began airing in the US on the [[Sci Fi Channel]], title cards were shown at the beginning of each episode, i.e. "33" or "Water" flashing in white letters on a black screen, and then the episode would begin. These episode titles stopped midway in Season 1. | ||
*[[Zoic]] visual effects artists hid small signs of movement within the ''Olympic Carrier'' in close-up effect shots as something of a morbid joke. Lights in the windows appear to flicker on and off rather rapidly and when slowed down there is some kind of movement visible on the inside of the ship. Originally, the scene was to confirm the existence of civilians inside the ship by showing civilians peering out the windows.<ref | *[[Zoic]] visual effects artists hid small signs of movement within the ''Olympic Carrier'' in close-up effect shots as something of a morbid joke. Lights in the windows appear to flicker on and off rather rapidly and when slowed down there is some kind of movement visible on the inside of the ship. Originally, the scene was to confirm the existence of civilians inside the ship by showing civilians peering out the windows.<ref>{{cite_book|last=Bassom|first=David|authorlink=|authorlinkurl=|coauthors=|year=2005|title=[[Battlestar Galactica: The Official Companion]]|pages=47|editor=ed. Adam "Adama" Newell|publisher=Titan Books|location=|id=ISBN 1-84576-0972}}</ref> | ||
*In the DVD commentary for this episode, Ron D. Moore states that during the scene when Dualla hands Commander Adama a set of reports that he reads aloud (including fuel shortages, dozens of crewmen breaking down from nervous exhaustion, etc), Edward James Olmos ad-libbed "and ten suicides" in one take. The production team really liked the ad-lib, and thought the way Olmos acted the scene was fantastic. However, there were concerns that the network would think this would make an already ''extremely'' "dark" episode far '''too''' dark and alienate the audience during the premiere, and the line was reluctantly cut. | *In the DVD commentary for this episode, Ron D. Moore states that during the scene when Dualla hands Commander Adama a set of reports that he reads aloud (including fuel shortages, dozens of crewmen breaking down from nervous exhaustion, etc), Edward James Olmos ad-libbed "and ten suicides" in one take. The production team really liked the ad-lib, and thought the way Olmos acted the scene was fantastic. However, there were concerns that the network would think this would make an already ''extremely'' "dark" episode far '''too''' dark and alienate the audience during the premiere, and the line was reluctantly cut. | ||
*While waiting to film a Viper sequence for this episode at 11 or 12 o'clock at night, [[Katee Sackhoff]] fell asleep inside the Viper cockpit.<ref | *While waiting to film a Viper sequence for this episode at 11 or 12 o'clock at night, [[Katee Sackhoff]] fell asleep inside the Viper cockpit.<ref>{{cite_book|last=Bassom|first=David|authorlink=|authorlinkurl=|coauthors=|year=2005|title=[[Battlestar Galactica: The Official Companion]]|pages=44|editor=ed. Adam "Adama" Newell|publisher=Titan Books|location=|id=ISBN 1-84576-0972}}</ref> | ||
*To add realism to the sleep deprivation motif, Olmos enlisted the aid of a sleep deprivation expert and also curtailed his sleeping habits to a maximum of three hours per night, noting how it affected him. With the help of this expert, he relayed to the rest of the crew how deprivation affects the human body and mind. Additionally, director [[Michael Rymer]] told the actors to choose one symptom to play, so as to avoid distracting repetition.<ref | *To add realism to the sleep deprivation motif, Olmos enlisted the aid of a sleep deprivation expert and also curtailed his sleeping habits to a maximum of three hours per night, noting how it affected him. With the help of this expert, he relayed to the rest of the crew how deprivation affects the human body and mind. Additionally, director [[Michael Rymer]] told the actors to choose one symptom to play, so as to avoid distracting repetition.<ref>{{cite_book|last=Bassom|first=David|authorlink=|authorlinkurl=|coauthors=|year=2005|title=[[Battlestar Galactica: The Official Companion]]|pages=46|editor=ed. Adam "Adama" Newell|publisher=Titan Books|location=|id=ISBN 1-84576-0972}}</ref> | ||
== Analysis == | == Analysis == | ||
*'''Why did the Cylons come "every 33 minutes"?''' Short answer: it was a number Ron Moore has stated he picked at random, with no other significance. The long answer is available in Ron Moore's | *'''Why did the Cylons come "every 33 minutes"?''' Short answer: it was a number Ron Moore has stated he picked at random, with no other significance. The long answer is available in Ron Moore's [http://blogs.scifi.com/battlestar/archives/2005/01/why-33-minutes.php blog entry] of January 13, 2005: | ||
<blockquote>The truth is, there's no real answer. It's just a random number that felt right when I came up with the idea that our people were under continuous, relentless attack since the end of the pilot. I wanted it to be a short interval, just long enough for them to grab a bite to eat, jump in the shower and maybe try to catch a catnap before dragging themselves back to their duty stations and begin the whole tedious, terrifying ordeal all over again.</blockquote> | <blockquote>The truth is, there's no real answer. It's just a random number that felt right when I came up with the idea that our people were under continuous, relentless attack since the end of the pilot. I wanted it to be a short interval, just long enough for them to grab a bite to eat, jump in the shower and maybe try to catch a catnap before dragging themselves back to their duty stations and begin the whole tedious, terrifying ordeal all over again.</blockquote> | ||
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:There was a scene cut from [[33|"33"]] where we saw [[Laura Roslin]] being given her copy of the photo along with a card that said it was taken on the roof of the capitol building on Aerilon during the attack. The photo was inspired by the famous shot of the fire-fighters raising the flag at Ground Zero that became iconic. I thought the Colonies would have their own version of this—a snapshot taken in the moment that becomes a symbol of the day they can never forget and of all they had lost. The photo itself is of a soldier falling to his knees (possibly shot or simply overcome by emotion) as he stands on the rooftop overlooking the devastation of his city, while the Colonial flag waves at the edge of frame. The inscription below the photo on Laura's plaque reads, [["Lest We Forget"]] in itself a reference to the inscription on the watch presented to John Wayne's character in "She Wore a Yellow Ribbon." | :There was a scene cut from [[33|"33"]] where we saw [[Laura Roslin]] being given her copy of the photo along with a card that said it was taken on the roof of the capitol building on Aerilon during the attack. The photo was inspired by the famous shot of the fire-fighters raising the flag at Ground Zero that became iconic. I thought the Colonies would have their own version of this—a snapshot taken in the moment that becomes a symbol of the day they can never forget and of all they had lost. The photo itself is of a soldier falling to his knees (possibly shot or simply overcome by emotion) as he stands on the rooftop overlooking the devastation of his city, while the Colonial flag waves at the edge of frame. The inscription below the photo on Laura's plaque reads, [["Lest We Forget"]] in itself a reference to the inscription on the watch presented to John Wayne's character in "She Wore a Yellow Ribbon." | ||
=== Comments from the Cast | === Comments from the Cast === | ||
*"Insomnia. Nobody has slept. Everyone's just coming to terms with the fact that they have lost everybody that they've loved or relate to."—[[Jamie Bamber]], [http://scifi.com/battlestar/bts/video/mov/video_06_320.mov] | *"Insomnia. Nobody has slept. Everyone's just coming to terms with the fact that they have lost everybody that they've loved or relate to."—[[Jamie Bamber]], [http://scifi.com/battlestar/bts/video/mov/video_06_320.mov] | ||
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*"Episode 1 is extremely docu-style because the characters haven't actually slept for five days (sic) and they have been running from the Cylons for the 250th time. And it's very stressful and they're about to lose the plot completely because of sleep deprivation."—[[Michael Rymer]], [http://scifi.com/battlestar/bts/video/mov/video_06_320.mov] | *"Episode 1 is extremely docu-style because the characters haven't actually slept for five days (sic) and they have been running from the Cylons for the 250th time. And it's very stressful and they're about to lose the plot completely because of sleep deprivation."—[[Michael Rymer]], [http://scifi.com/battlestar/bts/video/mov/video_06_320.mov] | ||
* ''Bamber discusses why "33" is his favorite episode:'' | * ''Bamber discusses why "33" is his favorite episode:'' | ||
: My favorite episode...I'd say "33"...the very first one, just because that was the unknown. We were in an unknown situation. We'd made a decent [[Miniseries|mini-series]] and we were all very excited. To read that script, I thought structurally it was really compelling. It was kind of a nutshell of what the whole of our story is, which is a nightmare, waking up constantly to find that the monster is on you again, and that's basically the modus operandi of the show, and Ron [Moore] captured it in one episode. I think that is really the perfect episode of ''Battlestar Galactica''. | : My favorite episode...I'd say "33"...the very first one, just because that was the unknown. We were in an unknown situation. We'd made a decent [[Miniseries|mini-series]] and we were all very excited. To read that script, I thought structurally it was really compelling. It was kind of a nutshell of what the whole of our story is, which is a nightmare, waking up constantly to find that the monster is on you again, and that's basically the modus operandi of the show, and Ron [Moore] captured it in one episode. I think that is really the perfect episode of ''Battlestar Galactica''.<ref name="acedmag">{{cite_web|url=http://acedmagazine.com/content/view/677/1/|title=ACED Magazine: Battlestar Galactica: Cast Interviews|date=24 November 2007|accessdate=25 November 2007|last=Bensoussan|first=Jenna|format=|language=}}</ref> | ||
=== Excerpt from the Official Companion === | === Excerpt from the Official Companion === | ||
In ''[[Battlestar Galactica: The Official Companion]]'', the dedicated performance by the cast, trying to accurately and realistically depict extensive sleep deprivation on-screen, was explained: | In ''[[Battlestar Galactica: The Official Companion]]'', the dedicated performance by the cast, trying to accurately and realistically depict extensive sleep deprivation on-screen, was explained: | ||
:"''Battlestar Galactica<nowiki>'</nowiki>''s first season première required the show's cast members to depict their characters under extreme physical and emotional duress, as they faced sleep deprivation and the constant threat of Cylon attack. This unique and intriguing acting challenge prompted Edward James Olmos to enlist the assistance of a sleep deprivation expert, who met with the cast shortly prior to the starting of shooting. Olmos and several other cast members also restricted their sleeping patterns a few days before filming, to gain a better understanding of sleep deprivation. | :"''Battlestar Galactica<nowiki>'</nowiki>''s first season première required the show's cast members to depict their characters under extreme physical and emotional duress, as they faced sleep deprivation and the constant threat of Cylon attack. This unique and intriguing acting challenge prompted Edward James Olmos to enlist the assistance of a sleep deprivation expert, who met with the cast shortly prior to the starting of shooting. Olmos and several other cast members also restricted their sleeping patterns a few days before filming, to gain a better understanding of sleep deprivation. | ||
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*''[[Gaius Baltar]] is having a vision of climbing into bed with [[Messenger Six]]:'' | *''[[Gaius Baltar]] is having a vision of climbing into bed with [[Messenger Six]]:'' | ||
:'''Six:''' You know you're not safe. | :'''Six:''' You know you're not safe. | ||
:'''Baltar:''' No, course not. The Cylons will follow us again, as they have the last two hundred and thirty seven times. | :'''Baltar:''' No, course not. The Cylons will follow us again, as they have the last two hundred and thirty seven times. | ||
:'''Six:''' You're right, you know. There are limits. Eventually you'll make a mistake. | :'''Six:''' You're right, you know. There are limits. Eventually you'll make a mistake. | ||
:'''Baltar:''' And then you'll kill us all. Yes. Yes, I know, but... not for another thirty-three minutes. | :'''Baltar:''' And then you'll kill us all. Yes. Yes, I know, but... not for another thirty-three minutes. | ||
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*[[Wayne Rose]] as [["Lest We Forget"|"Lest We Forget" Soldier]] (uncredited) | *[[Wayne Rose]] as [["Lest We Forget"|"Lest We Forget" Soldier]] (uncredited) | ||
== References | ==References== | ||
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{{episode list (RDM season 1)}} | {{episode list (RDM season 1)}} | ||