Talk:Flesh and Bone/Archive 1: Difference between revisions

Discussion page of Flesh and Bone/Archive 1
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:It might be, Ronald. If significant, it would be at least the [[The Music|second time]] that music makes a connection to the fate of the Colonials and the Cylons. --[[User:Spencerian|Spencerian]] 19:16, 18 November 2007 (CST)
:It might be, Ronald. If significant, it would be at least the [[The Music|second time]] that music makes a connection to the fate of the Colonials and the Cylons. --[[User:Spencerian|Spencerian]] 19:16, 18 November 2007 (CST)
:I think we need a citation on the 'The spring pool on the mountain' reference. I think that came from Grace Park in an interview on Scifi.com, but I'm not 100% sure. --[[User:Steelviper|Steelviper]] 19:49, 18 November 2007 (CST)

Revision as of 01:49, 19 November 2007

I am not sure if this is of interest:

The article says (under Notes): "At the beginning of this episode, Boomer is humming a melody when she touches the captured Cylon Raider. The melody is from a Korean children's song, 'The spring pool on the mountain'."

It may be known in Korea as 'The spring pool on the mountain', but I am quite certain that it is a German song known as "Drunten im Unterland" from the 19th century (music by Friedrich Silcher, text by Gottfried Weigle).

See http://www.lieder-archiv.de/lieder/show_song.php?ix=300138

Listen to this MIDI file (seconds 12-22) or another MIDI file.

--Ronald 15:29, 18 November 2007 (CST)

It might be, Ronald. If significant, it would be at least the second time that music makes a connection to the fate of the Colonials and the Cylons. --Spencerian 19:16, 18 November 2007 (CST)
I think we need a citation on the 'The spring pool on the mountain' reference. I think that came from Grace Park in an interview on Scifi.com, but I'm not 100% sure. --Steelviper 19:49, 18 November 2007 (CST)