Battlestar Wiki Podcast:Deadlock

Podcast:Deadlock

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Revision as of 04:02, 28 February 2009 by Steelviper (talk | contribs) (→‎Teaser)

Teaser

Hello, and welcome to the podcast, and this is Ronald D. Moore, executive producer and developer of the new Battlestar Galactica. I am here to welcome you to the podcast for episode 418, "Deadlocked". I'm doing this on the fly, sorta in between meetings, I'm running out of my house to get back to the office and the podcast is late anyway, so unfortunately, not only is the smoking lamp out, but the bar is closed as well.

OK. I will try to do the best I can in terms of giving you some inside information on this particular episode, but as I look through my notes and I went back and looked at the original story document and subsequent drafts, this is one of those episodes that didn't change a hell of a lot as it went from start to finish. Originally this was called "Drowning Woman", which was referring to Galactica herself and her difficulties and drowning and metaphorically probably also into Caprica-Six, as well. Somewhere along the line, I think Jane, decided to change the title to "Deadlocked" which is a perfectly good title.

Getting back to this particular set, I think I think I talked about in the previous podcast, this set is actually sandwiched in between our normal CI- I think this is C- no, no. It's not the CIC. It's- no, I'm sorry. It is the CIC. The CIC set and the back of the stage wall. This set of the superstructure- or the interior structure of Galactica is sorta sandwiched in between there, and we're actually using the actual fire escape as sort of a bit of set decoration.

It was interesting to get back into Dogville. We hadn't been in Dogville for a while in the show, with the people, the civilians, down on the lower decks, which we had taken aboard quite some time ago. And I think that's why this scene is placed here as opposed to where it was in the original draft, which was Caprica-Six walking down just the hallways of Galactica and set upon by thugs from the Sons of Ares in that context, and I think we moved it back over here during the production process to sort of- it's a more visually interesting scene. It's also sort of reminding you of the- that we do have all these civilians on board and sort of setting up this two-tier situation aboard Galactica. We have the military operations and the military personnel and we've also got the refugees and survivors of all the various holocausts down below.