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| [[Image:bsg-1-08.jpg|thumb|"Flesh and Bone" (credit: Sci-Fi Channel)]] | | {{Episode Data |
| | | image =Flesh2.jpg |
| | | title=Flesh and Bone |
| | | series= |
| | | season=1 |
| | | episode=8 |
| | | guests= |
| | | writer=[[Toni Graphia]] |
| | | story= |
| | | director=[[Brad Turner]] |
| | | production=108 |
| | | rating= 2.5 |
| | | US airdate=2005-02-25 |
| | | CAN airdate=2005-03-05 |
| | | UK airdate=2004-12-06 |
| | | dvd= {{Season 1 NTSC DVD release date}} '''US'''<br/>{{Season 1 PAL DVD release date}} '''UK''' |
| | | population= 47954 |
| | | oldpopulation= 47954 |
| | | prev=[[Six Degrees of Separation]] |
| | | next=[[Tigh Me Up, Tigh Me Down|Tigh Me Up,<br>Tigh Me Down]] |
| | | itunes=http://click.linksynergy.com/fs-bin/stat?id=VWbyALbmqZY&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252FWebObjects%252FMZStore.woa%252Fwa%252FviewTVSeason%253Fi%253D102232202%2526id%253D102796450%2526s%253D143441%2526uo%253D6%2526partnerId%253D30 |
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| | | amazon=y |
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| == Overview ==
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| : <i>When a copy of [[Leoben Conoy]] is captured aboard a civilian ship, [[Roslin, Laura|President Roslin]] orders he is to be interrogated, and [[Thrace, Kara|Lieutenant Thrace]] is assigned the job. She finds herself facing the possibility that Conoy may have planted a bomb somewhere in the fleet.</i> | | |
| | : ''When a copy of [[Number Two|Leoben Conoy]] is captured aboard a civilian ship, President [[Laura Roslin| Roslin]] orders his interrogation, and Lieutenant [[Kara Thrace|Thrace]] is assigned the job. She finds herself facing the possibility that the Cylon may have planted a bomb somewhere in the Fleet.'' |
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| == Summary == | | == Summary == |
| | * [[Laura Roslin]] has a [[chamalla]]-induced dream in which she sees [[Number Two|Leoben Conoy]]. She is awakened by [[Billy Keikeya|Billy]], who informs her that a [[humanoid Cylon|Cylon agent]] has been captured aboard ''[[Gemenon Traveler]]''. |
| | * The Cylon turns out to be [[Leoben Conoy (New Caprica copy)|Leoben Conoy]], and while [[William Adama|Adama]] wants him destroyed, Roslin insists he be interrogated. |
| | * [[Kara Thrace]] is assigned the interrogation task. Meeting with her, Adama warns her that Conoy cannot be trusted. Not that he lies, but rather he twists everything into half-truths and masks fiction with the veneer of truth. |
| | * They briefly discuss the [[Raider (RDM)|Cylon Raider]] Thrace is still working on ("[[You Can’t Go Home Again]]," "[[Six Degrees of Separation]]"), and Thrace informs him good progress is being made: the avionics are now understood, and they are focusing on the [[FTL]] systems. |
| | * Later, [[Sharon Valerii]] visits the Raider for a second time (the first being in "[[Six Degrees of Separation]]"), and appears to comfort it by humming. |
| | * [[Galen Tyrol|Tyrol]] arrives, and she asks if her previous comments helped. He confirms they did, and asks how she came up with the idea. She claims it’s because she’s a Cylon—something Tyrol doesn’t find remotely funny. |
| | * Elsewhere, Thrace travels by Raptor to ''Gemenon Traveler''. Once there, she observes Conoy, noting that he is sweating, before she enters the room in which he is being held, wanting to know what he is doing with his head on the table. |
| | * Conoy claims to have been praying. Their religious differences are immediately outlined as she refers to “gods”, he to “God”. |
| | * When he starts playing games with her over names, she tries to walk out – and Conoy reveals he knows who she is, which stops her. He then claims to have hidden a nuclear warhead somewhere in the fleet, which will go off in just under nine hours. |
| | * Shaken by the fact he knows her name, Thrace reports the news on the bomb to Adama and Roslin. Adama orders [[Radiological alarm|radiological]] searches to be made aboard all ships and tries to reassure Thrace that Conoy could have learned her name from anywhere. |
| | * When she returns to the holding area, Conoy continues to question her about her beliefs, outlining the key difference between humans and their religion and Cylons. A meal arrives for Thrace and she eats, allowing Conoy to finish what is left. |
| | * As he finishes the food, a systematic beating commences, Thrace convinced that because he is programmed to act completely like a human, Conoy will be forced to react like a human, take the beating until the pain forces him to start talking. |
| | * As this starts, Valerii visits [[Gaius Baltar]] in his lab and demands that he run a test on her to determine whether or not she is human. Baltar is reluctant to do so, but [[Head Six]] prompts him into doing it. |
| | * Conoy’s beating fails to get him to talk about the bomb, only to talk more about God. As the subject of water has formed a lot of his analogies, Thrace opts to up the torture by using it, and sends the guards from the room. |
| | * When they are gone, Conoy demonstrates his supernatural strength, breaking the chains that bind his wrists and pins Thrace to the wall. He could kill her, but he doesn’t – he has something to tell her, soon. A surprise. |
| | * On ''Galactica'', Adama visits the cadaver of the Conoy he encountered at [[Ragnar Anchorage]] {{TRS|Miniseries}}, his rage almost causing him to beat the body with a telephone handset. |
| | * On ''Traveler'', Thrace commences sessions that involve holding Conoy’s head underwater for increasingly lengthy periods to try and get him to talk – convinced that he is too far from Cylon influence to transfer his consciousness to another body, should this one die. |
| | * Conoy talks about Thrace’s childhood and upbringing, demonstrating he somehow knows a lot about her. The dunkings continue. |
| | * Baltar finishes a scan on a blood sample from Valerii, confirming that she is a Cylon. Terrified of what will happen if he tells her, he fakes the result to look human. |
| | * In her private quarters on ''[[Colonial One]]'', Roslin has another vision of Conoy, prompting her to order a shuttle to take her to ''Gemenon Traveler''. |
| | * On ''Traveler'', Thrace halts the water torture and Conoy reveals his surprise to her: the humans will find {{RDM|Kobol}}, and Kobol will lead them to [[Earth (RDM)|Earth]]. What’s more, Thrace’s specific role is to deliver his soul to God. |
| | * At that moment, Roslin arrives and puts a stop to the torture, as it has failed to reveal the location of the bomb. |
| | * When Conoy has been cleaned up and dried off, she tries to reason with him, and he confesses there is no bomb; grabbing her, he whispers that Adama is a Cylon. [[Tamara Adama|See spoiler for possible analysis]]. |
| | * Shocked by this, but her mind made up, Roslin has him ejected into space – fulfilling the sequence of events in her dream. |
| | * Later, on ''Galactica'', Thrace prays for Conoy’s soul, while Roslin meets with Adama, Conoy's words clearly having cast doubts deep in her mind. |
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| *[[Roslin, Laura|Roslin]] has a [[Kamala]]-induced dream in which she sees [[Conoy, Leoben|Leoben Conoy]]. She is awakened by [[Keikeya, Billy|Billy]], who informs her a [[Cylon]] has been captured aboard the ''[[Geminon Traveller]]'' | | ===On Caprica=== |
| *The Cylon turns out to be Leoben Conoy, and while [[Adama, William|Adama]] wants him destroyed, Roslin insists he is interrogated
| | * After sleeping with [[Karl Agathon]], [[Sharon Agathon|"Caprica" Valerii]] meets with [[Number Five|Doral]] and [[Number Six|Six]] to inform them of developments. |
| [[Thrace, Kara|Kara Thrace]] is assigned the interrogation task. From the outset, it is clear that Conoy is up to his usual tricks of half-truths and word games (as seen in the mini series) BUT – he claims to have planted a nuclear device somewhere within the fleet, and Thrace must continue her interrogation to try and determine the exact location
| | * Doral informs her that a little love nest is being set-up nearby. Six adds that she must lead Agathon to it and keep him there – or kill him. |
| *When Conoy continues to play with words, Thrace opts for a more violent approach to his questioning | | * Reacting to the instructions, Valerii returns to Agathon – and goes on the run with him, leading him away from her Cylon colleagues. |
| *On the ''[[Galactica]]'', [[Valerii, Sharon|Boomer]] determines to prove her humanity by cajoling [[Baltar, Gaius|Baltar]] into making her a guinea pig for his new [[Cylon detector]]
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| *With time running short, and increasingly unsettled by Conoy’s words, Thrace resorts to more extreme measures to obtain the “truth” from him
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| *When she has a second vision concerning Conoy, Roslin visits him in time to see the results of Thrace’s efforts. Unimpressed, she offers Conoy his life if he reveals the truth to her. He does: there really is no bomb
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| *While Thrace is verifying this, Conoy grabs Roslin and whispers to her that Adama is a Cylon, then releases her
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| *To Thrace’s shock and surprise, Roslin orders Conoy thrown out the airlock.
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| === On Caprica: === | | == Notes == |
| *After sleeping with [[Agathon, Karl C.|Helo]], [[Valerii, Sharon|Valerii]] meets with [[Doral, Aaron|Doral]] and [[Number Six|Six]] and informs them of developments | | *This episode takes place within 24 hours of the events portrayed in "[[Six Degrees of Separation]]". |
| *Doral informs her that a little love nest is being set-up nearby. Six adds that she must lead Helo to it and keep him there – or kill him. | | *Doctor [[Cottle]] has apparently been successful in his quest for [[chamalla]], given that Roslin is now using it in her fight against cancer. |
| *Reacting to the instructions, Valerii returns to Helo – and goes on the run with him | | *There are 47,954 survivors in the Fleet, presumably including ''Galactica''’s crew, as the figure has fluctuated between 45,000 and 50,000 over the past few weeks in rounded figures. This represents a net loss of 18 since "33," with doubtlessly uncertain census counts throughout the interim. |
| | *Laura Roslin may have [[w:precognition|precognition]], and / or Cylons may be psychic. |
| | *Boomer believes her family were all killed—together with almost her entire past—in a “tragedy” that destroyed the colony of [[Troy (RDM)|Troy]]. |
| | *Baltar’s Cylon detector works. It takes "a couple of minutes" to process Boomer's sample. |
| | *Baltar now knows Boomer is a Cylon. |
| | *Leoben Conoy's execution via ejection from an airlock is relatively "unspectacular" compared to similar sequences in many science fiction films, such as ''[[Wikipedia: Outland|Outland]]'' in which people explode. Whether the decision not to show his death in a more gruesome fashion owes as much to [[Wikipedia:Standards & Practices|Standards & Practices]] as it does to scientific accuracy, it is at least more in line with what is known about human physiology and hard vacuum. The later episode "[[A Day in the Life]]" indicated that survival in vacuum is possible for up to a minute; see that article for additional scientific discussion of the effects of hard vacuum on a person. |
| | *At the beginning of this episode, Boomer is humming a melody when she touches the captured Cylon Raider. The melody is from a Korean children's song, 'The spring pool on the mountain'. It reappears in the episode "[[Sine Qua Non]]," being hummed by {{callsign|Athena}} to her daughter [[Hera Agathon|Hera]]. |
| | *Some of what Conoy revealed may be from psychic abilities on his part. In his later episodes he displays almost psychic abilities at times and in [[The Plan]] its shown that when he grabbed Kara by the throat for a moment, he had a vision of a few of their future encounters although one is with the Virtual Leoben. |
| | *[[The Plan]] shows that Conoy was found out because marines were showing pictures of him and Doral around and two men he'd just passed recignized him. He escaped and hid aboard the ship, but was caught later by the marines. |
| | *[[The Plan]] also shows where his obssesion with Kara Thrace started: when he hacked into the military communications he repeatedly listened to her while she was in her Viper and became obssesed. He became even more obssesed when he learned about how Thrace learned how to fly and flew the captured Cylon Raider on her own. Leoben explained to Cavil that Thrace "plucked the knowledge from the stream" and that that meant she had a greater destiny. That and his vision were what created his burning obsesion with her. |
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| == Review == | | == Analysis == |
| | | *Originally, many might have labeled ''Galactica''-Sharon the "Good" Sharon and Caprica-Sharon the "Bad" Sharon. However, actress Grace Park has repeatedly said she never viewed one or the other as good or bad, and in this episode Caprica-Sharon switches from helping the Cylons, to actually aiding Agathon and switching to the Colonials' side. Meanwhile, by the end of Season 1 ''Galactica''-Sharon becomes an increasingly darker character. |
| === Re-cap ===
| | *Boomer's memory of leaving Agathon behind on Caprica (in the [[Miniseries]]) appears amongst other of Sharon's flashbacks in this episode, indicating that she possesses Boomer's memories up to that point. She later states that to be the case in "[[Scattered]]," "[[Home, Part II]]," "[[Resurrection Ship, Part II]]," and "[[Scar]]". |
| | | *Leoben's comment that Kara Thrace's role is to "send his soul to God" cannot refer to her actions in this episode. Roslin orders his death over Thrace's objection. He is most likely referring to her later role in the Cylon/human alliance that resulted in the destruction of the [[Resurrection Hub]] {{TRS|The Hub}} or the [[Hybrid]]'s more vague prophecy that she is the "harbinger of death" and will "lead them all to their end" ("[[Razor]]," "[[Faith]]," "[[Islanded in a Stream of Stars]]," "[[Daybreak, Part II]]"). |
| *[[Litmus]]: [[Adama, William|Adama]] halting [[Doral, Aaron|Doral]], only to have him reveal he has a bomb strapped to his chest; [[Tigh, Saul|Tigh]] saving Adama as Doral detonates himself. | |
| *[[Mini-Series]]: “When this body dies my consciousness will be transferred to another one,” [[Conoy, Leoben|Conoy]] telling Adama of the [[Cylon]] ability to transfer minds
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| [[Litmus]]: “The Cylons have the ability to mimic human form. They look like us now.” [[Roslin, Laura|Roslin]] informing the gathered press
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| [[Six Degrees of Separation]]: “You sleep, I watch.” [[Agathon, Karl C.|Helo]] to [[Valerii, Sharon|Valerii]] on [[Caprica]], before they couple; cutting to [[Doctor Cottle]] on ''[[Colonial One]]'' warning Roslin, “You’re lucky that you didn’t lapse into a coma!”following her collapse while addressing Baltar by telephone. He adds, “You’re not going to be able to hide what you are going through.”
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| === Teaser ===
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| A dream world of a night-time forest strung with mist opens, through which [[Roslin, Laura|Laura Roslin]] walks in her night dress and gown. As she walks we cut to running feet and the clank of body armour and weaponry.
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| She appears to hear the noise in the distance, but walks on. Suddenly, away in front of her a figure appears: [[Conoy, Leoben|Leoben Conoy]]. He cups his hands to his mouth, projecting a quiet cry: “[[Cylons]]!” He repeats again in a hoarse whisper: “Cylons! Cylons!” and points over her head, back down the route she has just walked.
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| We see dark figures running across the skyline, weapons in hand, and Roslin runs. The figures give chase: [[Colonial marines]]. As she passes a tree, Conoy reaches out and grabs her, pressing her to the tree and covering her mouth as the marines run by. After they have passed, he releases her, and we see his face from her perspective as he inclines it to her in acknowledgement of…something….
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| There is a flash of light, a rush of wind, and Conoy is swept away, feet first, vanishing among the trees. Confused, Roslin looks around in the sudden silence, Conoy appearing beside her: “Laura!”
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| And Roslin wakes up in a start; flushed and shaking from more than just the dream. She goes to the bathroom, and checks her pills. She is interrupted by a knock on the door: Billy is checking on her, anxious. She informs him she is fine – suffering the side-effects of the Kamala treatment she is having, “You know, the thing they say: what’s worse, the cancer or the cure? What do you need?”
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| [[Keikeya, Billy|Billy]] informs her that a Cylon has been captured aboard the ''[[Geminon Traveller]]''.
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| A short while later, in her office on ''[[Colonial One]]'', Roslin informs [[Adama, William|Adama]] of the find via radio. [[Adama, Lee|Lee Adama]] wants to know where “it” is now: Roslin informs the ''[[Galactica]]'' that the Cylon is the Conoy model – a fact that resonates with her dream – and that he is under guard on the Traveller. Adama orders the ship isolated, [[CAP]] [[Viper|Vipers]] to escort it. He then informs Roslin that he’ll send a team over to destroy the Cylon. Roslin, however, however has other ideas: “I want this man interrogated.”
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| “First of all,” Adama replies, [[Tigh, Saul|Tigh]] listening-in on the call, “It’s not a “him”, it’s an “it” Second: anything it says cannot be trusted. The best thing we can do is destroy it immediately.” Roslin will not be swayed; “I’d like to hear what this thing has to say. It might be important.”
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| Adama also will not be moved; “Madame President, I’ve dealt with this model before. It will fill your head with double-talk, half-baked philosophy and confuse you.” Staring at the photograph, Roslin still stands firm. “Then send someone who won’t be easily confused. That’s an order, Commander. I want him interrogated.”
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| Acquiescing to the order, Adama visits [[Thrace, Kara|Starbuck]] – now off her crutches but still requiring a walking stick to support her leg – as she works on the Cylon [[Raider]] in the hanger bay. He wants her to handle the interrogation. “You really think it’ll give us something?” she asks. “No,” Adama replies, “But the president disagrees.”
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| Starbuck states she’ll go, and Adama asks how the work on the Raider is coming along. “We, ah, have the entire avionics package figured out; fire control, navigation and I think I’m zeroing in on her FTL drive.” Adama hands her a report he “did in a hurry about three weeks ago” on the Conoy model. He also repeats his warning that it is a “very clever machine; manipulative, cunning. The problem with Leoben isn’t that he lies. That would be too easy; it’s that he mixes lies with truth. Just remember: he’s going to try to get into your head.” Scanning the file, Kara looks up, “Ah, Mom always said there was nothing in there anyway,” she quips with her cocky grin. Adama returns the grin with a slight upward twist of a smile. “Just be careful,” he replies. “He has an agenda. It’s a goal you won’t understand until later. Your job is to make sure he doesn’t achieve the goal.” The words are designed to be sobering, and they have their effect on Starbuck as Adama departs, leaving her not a little spooked as she looks at the image of Conoy in the file the scene fades to the opening titles.
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| === Acts ===
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| As we rejoin the show, we’re still in the hanger bay, but [[Thrace, Kara|Starbuck]] is gone. In her place, [[Valerii, Sharon|Boomer]] walks down the leading edge of the [[Raider|Raider’s]] port wing, caressing it and humming to herself. As she crosses to the nose of the Raider and strokes it, it is as if she is subconsciously comforting it. She breaks off as [[Tyrol, Galen|Tyrol]] arrives.
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| She stands awkwardly as he prepares to work on the Raider and then asks her what is up. In return, she asks if what she told him “the other day” (that they should treat the Raider like more of an animal than a machine) helped at all. Tyrol admits it did. “How’d you come up with that anyway?” He asks as she starts to walk away, “Did it just pop into your head?” The comment causes her to pause a beat. As Tyrol starts working, she turns slowly and faces him. “I’m a Cylon,” she replies, her voice level. Tyrol tells her the comment isn’t even funny. She then challenges him: “If I could prove that I wasn’t…would that make a difference, you know, between us?” Tyrol stares at her in reply, saying nothing, and she turns and walks away.
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| In space, [[Raptor]] 719 seeks permission to dock with the bulky ''[[Geminon Traveller]]'' to deliver Starbuck to the ship. Once aboard, she goes directly to the holding area where [[Conoy, Leoben|Conoy]] is sitting with his head down on a table. Observing him from outside the room, Starbuck notes he is sweating. Taking a closer look, the Traveller’s Captain agrees. “Gods, they go to a lot of trouble to imitate people! Why do you think they do that?”
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| “I don’t care why,” she responds. “But the fact that these things sweat…now that’s interesting…” She enters the room, acknowledging the armed guard and slaps the file Adama gave her down on the table. Conoy doesn’t move. Taking the seat facing him, she shuffles the papers in the file. “Sleeping?” she enquires. Conoy raises his head slowly, “Praying.”
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| Starbuck stops what she is doing and leans towards him, “I don’t think the gods answer the prayers of toasters.” Conoy gives a small, hesitant grin. “God answers everyone’s prayers,” he replies, grin widening, then fading. Starbuck launches directly into her questioning: how many Cylons are there in the fleet? Conoy tries to deflect the question, “We haven’t been properly introduced,” he raises his hands above the level of the table top for the first time to reveal he is manacled and the manacles are chained to his ankles. “I’m Leoben,” he adds. Starbuck repeats her question. “I have no idea,” he replies, “What’s your name?”
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| Starbuck ignores him, pressing on: how long has he been aboard the ship? He wonders if he’s not allowed to know her name. Why was he hiding aboard the ship? He admits he had a mission to perform before asking again if she would tell him her name. Starbuck puts forward a proposition: he tells her about his mission, and she’ll think about telling him her name. He tells her his mission is to perform an act of sabotage, but when she asks what kind of sabotage, he turns personal, “God, you stink,” he whispers, his animal grin showing again. “Can we get some air in here? Between you and the humidity….”
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| “I am not here to play games with you,” Starbuck warns. “Either start talking or we are done.” Conoy agrees to co-operate, then returns to the original subject of his questions: he wants to know her name. This prompts Starbuck to close her file and start to leave. As she reaches the door to the holding area, he stops her. “Are you Lieutenant Starbuck?” Her back to him, Starbuck is disconcerted, and Conoy feels it. “Yes you are,” he states with a small note of triumph. “I knew it!” he exclaims, his laughter nervous, as she turns around, “I knew I was right! I saw it, I’ve seen it…” Facing him, Starbuck looks down at him. “Happy now?” she asks through gritted teeth.
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| “It all makes sense now,” is Conoy’s cryptic reply, “Doesn’t it? Now we can talk. Now we can….talk…about a lot of things…” Walking back to the table, the guard closing the door behind her, she continues to stare Conoy in the face, “Like what?” she hisses. “I planted a nuclear warhead aboard one of your ships,” Conoy states, his tone matter-of-fact, “It is set to go off at 18:30 hours.” Staring at him, trying to judge if he is telling the truth, Starbuck has one question for him: “Where?” Tone still sincere, Conoy won’t be drawn, “I’m not ready to give that up yet.” Starbuck tries to call his bluff, telling him there is no warhead. “You can’t take the chance, Starbuck. Your military training dictates you take it to your masters and let them decide.”
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| “Maybe my training wasn’t so good,” Starbuck counters, turning to leave as the door is again opened. “May I’ll just push you out of the airlock and tell them you never said a word.” As she hobbles down the corridor, Conoy’s taunts follow her. “Now who’s lying? These things happen for a reason, don’t they? I’m looking forward to spending a little more time with you, Starbuck! We have a lot to talk about!” We close on him after Starbuck has vanished down the corridor as he concludes, his tone quieter, “It’s going to be fun.”
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| Getting the news on ''[[Galactica]]'', [[Adama, William|Adama]] orders a sweep of the ship for any kind of radiological devices. He then orders [[Dualla]] to contact all Captains and tell them to run a radiological sweep on their vessels, but to emphasise the sweep is just a precaution and that he doesn’t want anyone alarmed until they know for sure that Conoy is telling the truth; he then rejoins the 3-way radio conference with [[Roslin, Laura|Roslin]] and Starbuck. After pointing out they have eight hours and forty-three minutes to discover if a bomb has been planted, Roslin then asks Starbuck if Conoy gave up any other information. A disconcerted Starbuck reports that he has guessed her identity and seems really pleased by it. Adama warns her that Conoy is playing with her mind, that as a stowaway on the fleet there are “50 ways” he could have heard her call sign. Roslin wants to know if Conoy has indicated what he wants. Again Starbuck reveals that beyond stating he’s “looking forward” to spending time with her, he revealed nothing. Adama again admonishes her not to take any chances.
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| Returning to the holding area, Starbuck is confronted by another question: “You believe in the Gods, don’t you? The ‘[[Lords of Kobol]]’ and all that…that you prey to [[Artemis]] and [[Aphrodite]]?” Starbuck counters with a question about the location of the warhead, prompting Conoy to state he was right, adding, “You see, our faiths are similar but I look to one God, not to many….to know the face of God is to know madness….I ''see'' the universe; I ''see'' the patterns; I see the foreshadowing the precedes every moment of every day. It’s all there. I see it – and you don’t…and I have a surprise for you. I have something to tell you about the future...but we have to see this through to the end.”
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| There is a pause in the proceedings as food arrives, and Starbuck doffs her uniform jacket and starts eating, a hungry Conoy watching her every move, “What is the most basic article of faith? ‘This is not all that we are’…You see the difference between you and me is that I know what that means and you don’t. I know that I am more than this body, more than this consciousness. A part of me swims in the stream, but in truth I’m standing on the shore; the current never takes me downstream.” This causes Starbuck to stop eating and look at him for a beat. “This is worse than ''Galactica'',” she states, pushing the food aside, “And I didn’t think that was possible. Now what was that swimming in the stream or something?”
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| Seeing the unfinished food, Conoy asks if she would mind? Finishing her cup of water, Starbuck pushes the tray into his reach and he starts eating with almost human gusto, admitting he hasn’t eaten in days. “Kind-of bad programming isn’t it?” Starbuck enquires, “I mean why bother with hunger?” Forking-up more food, Conoy replies, “Part of being human,” and cocks her a look as he takes another mouthful. “You’re not human,” Starbuck counters, but gains no response, “How’s your lunch?”
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| “You know how it is when you’re starving,” Conoy replies, finishing the food, “Anything tastes good. He looks up at her in time to see her give a small nod, causing him to look around in time for one of the guards to strike him with the gutt of a pistol, almost knocking him from his chair. As he sits up, gasping, he feels the side of his head. It is bloodied. Starbuck feigns surprise: “Did that hurt?” she asks. “Yeah, that hurt,” Conoy admits. Starbuck is unsympathetic, “Machines shouldn’t feel pain; shouldn’t bleed; shouldn’t sweat.” Wincing, Conoy look at her, “Sweat. That’s funny. That’s good.” Starbuck suggests that a smart Cylon would “turn off the old pain button” – but she doesn’t think he’s so smart. “Maybe I’ll turn it off and you won’t even know,” Conoy counters. The comment earns him another blow, this time to the other side of his head.
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| “Here’s your dilemma,” Starbuck informs him. “Turn off the pain and you’ll feel better. But that makes you a machine, not a person. You see, human beings can’t turn off their pain. Human beings have to suffer. And cry. And scream. And endure; because they have no choice. So the only way you can avoid the pain you’re about to receive is by telling me exactly what I want to know. Just like a human would.”
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| Conoy meets her stare. “I knew this about you. You’re everything I thought you’d be. But it won’t work. I won’t tell you anything.” Starbuck agrees that he may not; but that through it all, deep down, he will know that a human being beat him; that his kind are really no greater than humans, that “You’re just a bunch of machines after all.”
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| “Let the games being,” Conoy replies – and Starbuck indicates for the beating proper to start.
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| Back on ''Galactica'' [[Baltar, Gaius|Baltar]] is once again at work on his fabled [[Cylon detector]], once more the free man and for once at peace with his "inner [[Number Six|Six]]" as she apparently gives him a loving back-rub. They are interrupted as the door to the lab opens. “Well look what the cat dragged in,” Six comments, mouth twisting in disgust as Boomer enters, looking vulnerable.
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| “Lieutenant Valerii,” Baltar acknowledges as she enters. “This is an unexpected visit…you look wonderful.” The comment causes Six to drop her “hands” from his shoulders.
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| Closing the door, Boomer asks Baltar about his detector – but he refuses to confirm what he is working on. She asks to be included in his first batch to be tested. “What’s her rush?” “Six” asks, and Baltar repeats the question before he can stop himself. “I’m not sure it would be appropriate to show favouritism - If indeed I’m working on anything at all,” he gives her his winning smile. Boomer points out she saved his life on Caprica, that her co-pilot gave up his seat for Baltar and that she brought him back to the safety of ''Galactica'' - therefore he is in her debt. “She shoots,” “Six” purrs, looking at Baltar, “She scores.” He concedes the point and Boomer presses him as to whether he will put her in the first test batch or not. “I think you should do it,” “Six” states, standing beside Boomer, “The results would be…quite…intriguing.”
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| Baltar informs Boomer that the technology isn’t ready for implementation. When this earns him a look from “Six”, he goes on to say he could use a beta test subject.
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| Meanwhile, on CYLON-OCCUPIED [[CAPRICA]] it is the morning of Day 25 of [[Agathon, Karl C.|Karl C. Agathon]]’s time there. He is asleep, but Valerii is awake, and appears to check his pulse as she strokes his cheek with her thumb. Elsewhere, Six and [[Doral, Aaron|Doral]] arrive at a swing set among the woodlands. “Sharon’s late,” Six announces. “Half an hour,” Doral replies, then pauses, “I notice you’re calling her ‘Sharon’ now.” Sitting on the swing, Six gives an uncomfortable grin. “Yeah, well I choose to think of her as one of them.” “Because you dislike her?” Doral asks. Six looks at him. “Because in the scheme of things, we are as we do. She acts like one of them, thinks like one of them – she is one of them.” Doral looks around, “But she is one of us. It would be best to remember that,” he replies, a note of warning in his voice.
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| Valerii arrives, prompting Six to stand and cross to her. “We had sex,” Valerii reports. “Congratulations,” Doral responds, a touch of warmth in his voice – has a target been achieved in the experiment? “Does he love you?” Six asks, her voice a little harder. “I think so,” Valerii confirms, a hint of a smile on her face. Six’s tone gets harder, “Has he said it?” Valerii admits he hasn’t said so directly. Six’s look is superior, “Then you’re just guessing.” Doral then instructs Valerii to keep Helo in their current location as a cabin is being set-up for them: food, water electricity, “All the comforts.”
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| “It shouldn’t be too hard to convince him to stay and start a life together,” Six adds, a look edging on fear in Valerii’s eyes as she speaks, “If not, kill him. Can you handle that?” Valerii looks from her to Doral, who gives a single nod. Six continues to stare at Valerii, her look still superior. Valerii turns and heads back through the trees at a run. As she does so, we she flashbacks of her past with [[Helo]]: the time he comforted her after destroying the human carcass being eaten by rats when they first entered the city; his admission that if something happened to her, he wouldn’t know what to do; the time they picked up the “Colonial broadcast” on their survival radio; making love the previous night; running from the Cylon warriors the previous day (with Doral’s words echoing, “If he flees, he dies.”); Helo standing on Caprica as their Raptor lifted off, stranding him there; the time he “rescued” her after her “capture” by Cylon warriors.
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| As she runs down a path, Helo stops her suddenly, “Hey! What’s going on?!” She tells him they’ve got to go, that there are Cylons heading their way. “We’ve got to travel fast – faster than before,” she tries to head off, but Helo stops her, grabbing her and turning her to face him. “Why? What’s different?” he demands. “Everything,” she replies, “Just trust me.” He looks up the path she was running along, then nods. “I do,” and they head off together – defying Doral’s instructions.
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| Back on the ''Traveller'' Conoy is returned to his seat after what has obviously been something of a beating. Starbuck tells him that this is the point where a human would start offering-up some false information in order to spare themselves from the beating – but she keeps forgetting Conoy isn’t human – he’s a machine. “I’m more than you could ever imagine,” he gasps, “I’m God.”
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| Starbuck’s reaction is predictable: disbelief laced with nervous laughter. “You’re God? Wow! Nice ta meet ya!” She agrees to give him a couple of minutes for the comment. “It’s funny, isn’t it?” Conoy agrees, “We’re all God, Starbuck. All of us. I see the love that binds all living things together.” Starbuck challenges him on the use of the word love - that he couldn’t even know what it means. “I know God loved you more than all other living creatures and that you repaid his divine love with sin, with hate, with corruption, evil, so then he decided to create the Cylons.” This prompts Starbuck into anger as she points out the gods did not create the Cylons – humans created them, that it was a stupid mistake and that the Cylons wiped out her entire civilisation – an evil act, so the Cylons are therefore evil.
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| “Am I?” Conoy counters, tracing a line of his blood on the table top. “I see the truths that flow past you in the stream,” he states with a grin. “You have a real thing about rivers and streams, don’t you?” she replies, “I think we should indulge you in your obsession,” and she signals the guards to leave.
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| When they have gone, Conoy informs her he could kill her before the guards could get back in the room; that he could kill her, get out the room and kill the guard outside in less time than it takes to describe the act. When she challenges him on this, he replies that it is “not the time”, a comment that earns him a “yeah, yeah” grin from Starbuck – and three seconds later, she is pinned by the throat against the door frame by Conoy’s right hand, while he holds the door shut with his left, having broken his manacles with ease.
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| He holds her against the frame as the door at the far end of the holding area opens and three guards rush in. “I have a surprise for you,” he informs her. Then the guards grab him and pull him away from her. “You frakked up, pal,” Starbuck whispers, catching her breath, “Now the gloves come off.”
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| On ''Galactica'', Adama is in the morgue, where he pulls out the tray containing the cadaver of the Conoy encountered at [[Ragnar Anchorage]]. Folding back the sheet covering the body, he looks at the face before crossing to an intercom phone mounted on the bulkhead. Calling [[CIC]], he asks about the search for the nuke. [[Tigh, Saul|Tigh]] replies they’ve found nothing so far and they have two hours and nine minutes left. Adama order the fleet to disperse in the hopes of lessening the effects if a bomb does go off – no more than 500 kilometres between ships.
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| Adama stands over the cadaver, gripping the handset so tightly the knuckles of his hand turn white as he fights the urge to smash it into Conoy’s face. Gaining control, he moves his hand away from the body, leaning over it. “No,” he states in a firm whisper, then returns to the intercom and replaces the handset in its slot with controlled deliberation.
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| On the ''Traveller'', Conoy is on his knees between two guards, his hands locked up behind him as Starbuck faces him and two more guards enter carrying a large pail of water, which is placed on the floor in front of Conoy. “Do it,” Starbuck orders, and Conoy’s head goes into the water. As he starts to struggle, she orders him to be held down, until one of the guards questions her, and she raises a hand, indicating his head should be pulled from the water, and Conoy comes out gasping. She orders him to tell her where the warhead is, “Otherwise you’re going to drown in that bucket,” she tells him. “I can’t drown. I can’t die,” Conoy replies. Starbuck agrees, informing him Adama mentioned how Cylons can transfer their being when their body is on the point of death. She then tells him she’s been wondering about this, and that why, if it is true, a Cylon would even bother talking to her. And down Conoy goes again, back into the water.
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| When he comes back up, she again asks where the warhead is. “This is not your path, Starbuck,” Conoy replies, “You have a different destiny...” She cuts him off, informing him that she thinks the reason he is talking at all is that he is afraid that the fleet is a long way from his “home” and that if his body is killed, his consciousness might not make it back; that if he dies on the Traveller, he really dies. “It’s your chance to find out if you’re really God, or just a bunch of circuits with a bad haircut. Someone has programmed you with a fairy tale of God and streams and life ever after but somewhere in that hard drive that you call a brain is a beeping message: error, error, does not compute. I don’t have a soul, I have software; if I die, I’m gone.” And down Conoy goes for a third time.
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| This time when he comes up, he’s allowed to collapse on his side, “I have a soul,” he gasps waeakly, “I see patterns. I know you. You’re damaged. You were born to a woman who believed that suffering was good for the soul, and so you suffered. Life was a testament of pain, injuries, accidents, some inflicted upon others, others inflicted upon yourself. It surrounds you like a bubble, but it’s not real. It’s not just something you should put in your head. It’s something that you want to believe, because it means you’re the problem, not the world that you live in. You want to believe it because it means you’re bad luck; like a cancer that needs to be removed, because you hear her voice every day, and you want her to be right.”
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| Throughout this, Starbuck listens to him with an intensity of thought, her face a mask, eyes unblinking. As he finishes, she looks up at the guards. “Start again,” she orders quietly, her anger barely suppressed. As Conoy goes under again, we see his face from under the pail, as he first tries to fight the guards as they hold him down; we cut to Starbuck, watching from her chair, face intent, staring unblinking on the kneeling Conoy. Then, from under the pail, we see his struggles cease, and he simply stares, a faint smile playing at his lips.
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| In Baltar’s lab, the good doctor has taken a sample from Boomer and is dropping it into his computer for analysis. As Boomer stands across from him, he explains the results that will appear on his screen. “Green, you’re a normal human being. Red, you’re an evil Cylon,” he chuckles at the joke, but Boomer’s look remains unchanged as she continues to stare across the table at him, forcing Baltar to sober suddenly and add, “It should take a couple of minutes.”
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| He watches the screen and tries to ease the tension. “So tell me, are you from [[Aerilon]]? Slight trace of an accent there.” Boomer shakes her head, “Ah, No. [[Troy]].” Baltar asks why the name is familiar. “Mining settlement…the accident,” Boomer replies. “The explosion,” Baltar adds, “Right. That was tragic. Your family are…?” “Died with the rest,” Boomer states quickly. “I’m very sorry,” he concludes.
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| Six steps up to him, “It’s a lie,” she whispers in his ear. As Baltar turns to look at her, she points to his screen, a wicked smile on her face. “Congratulations, Doctor. You’ve just uncovered your very first Cylon.” And we see that the results are indeed red – right across the screen. “Now here’s an interesting moment in the life of Gaius Baltar,” “Six” continues to tease, as Baltar starts clicking at his keyboard with increasing nervousness. “What will he do?” He tries to reassure Boomer everything is fine, while “Six” wonders how she’ll react if he tries to expose her, “Thank you or kill you?” Boomer wonders what is happening, and Baltar starts hedging, desperately trying to turn the display green. “She probably doesn’t even know,” “Six” adds, “She probably thinks she’s just another little girl from Troy whose entire background vanished in a mysterious accident. Should be interesting to see how she responds when you tell her the truth. I’m guessing her Cylon side will take over and break your neck before you can give away her secret. Let’s find out.”
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| At that moment, Baltar hits a key and the display turns to green; his relief is palpable – as is Boomer’s. “You’re one hundred percent human!” He lies, pointing to the screen, “And very, very bright green as well.” Boomer admits that for a moment she was worried, but Baltar, swiftly escorting her to the door, assures her she couldn’t be more human if she tried. Thanking him, she leaves.
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| On ''[[Colonial One]]'', Roslin is apparently preparing for bed when Conoy appears in her dressing mirror. “I have something to tell you,” he informs her, shocking her into wakefulness where she had been dozing in a chair. She orders Billy to get her a shuttle and get her over to the ''Traveller''. He tries to argue, but she won’t be stopped. He orders a shuttle and an armed escort for her.
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| On the ''Traveller'', Conoy is allowed up for air – has he been down this whole time? He is lifted and dropped into a chair, a disconcerted Starbuck watching. She orders the guards out of the room as she again repeats he is not a person, he is a machine. ‘“All of this has happened before, and all of it will happen again,’” he says in reply. She warns him not to quote scripture, he doesn’t have the right. “You kneel before idols and ask for guidance and you can’t see that your destiny has been already written,” he tells her, “Each of us plays a role; each time a different role. Maybe the last time I was the interrogator and you were the prisoner. The players change, the story remains the same. And this time – this time – your role is to deliver my soul unto God. Do it for me. It’s your destiny. And mine.” His voice drops to a whisper, “And I told you I had a surprise for you. Are you ready? You're going to find [[Kobol]], birthplace of us all. Kobol will lead you to Earth. This is my gift to you, Kara.”
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| As they stare into each other’s eyes, the truth is clear, but the moment is broken as the door is opened and Roslin demands, “What the hell is going on here?”
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| Taking Starbuck to one side, Roslin demands to know what she is trying to achieve. Starbuck tries to explain, but is forced to admit that after 8 hours of interrogation, she hasn’t gained any indication of where any bomb he may have set might be. She does reveal that he appears to be able to predict the future, and has stated they will find Kobol.
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| Roslin orders the prisoner cleaned up and brought to her in the corridor, where she apologies for what has been done to him, and orders his restraints removed. On receiving his thanks, she tells him she can guarantee his safe passage if he reveals the truth about his bomb, and that they need to stop the fighting between humans and Cylons – that he must trust her; that he knows he can trust her. And the first step to reaching an understanding is for him to tell her where the bomb is.
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| Amazingly, Conoy admits there is no bomb, that Starbuck was right, he’s too far out and didn’t want to die and so made up the story when captured. Roslin thanks him for the truth, and he thanks her, and Starbuck goes to check-in with Adama and inform him. As she leaves, Conoy asks that Roslin is not too hard on her, that she was just doing her job, that the military “dehumanises” people. Roslin promises to take this into consideration – and Conoy suddenly grabs her, hugging her. As guards lunge, she orders them back. Everyone freezes and Conoy whispers in her ear: “Laura, I have something to tell you. Adama is a Cylon!” With this, she pulls away from him, disconcerted, and the guards grab him. Seeing her discomfiture, he gives a small smile – mission accomplished? Doubts sown?
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| As she recovers, Roslin looks back at him and catches the look…and perhaps something more – perhaps understanding - as his expression shifts. Starbuck returns and, after confirming no sign of a bomb has been found on any ship, is stunned when Roslin orders Conoy is put out the airlock. This drives the look of understanding from Conoy’s face and shocks Starbuck into stating Roslin can’t do this. She responds she can: she tells Starbuck they’ve lost perspective, that in the time she (Roslin) has allowed Conoy to remain alive, he has put the entire fleet at risk, causing it to be spread out and left defenceless and that he has placed insidious ideas in people’s heads and that he creates fear. She then agrees with Starbuck’s statement that he is a machine – and that people don’t keep deadly machines around when they are a threat to the future.
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| Conoy looks through the glass of the airlock at Starbuck and presses a hand to the glass. “He’s not afraid to die,” she informs Roslin, “He’s just afraid his soul won’t make it to God.” She walks to the glass separating them, and presses her own hand to it, over Conoy’s. They stand for a moment, then Conoy inclines his head and Roslin signals for the airlock override to be thrown.
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| We see Conoy head-on, as he raises his head, the airlock opening behind him – and in a mirror of Roslin’s dream sequence, we hear the rushing roar of air as the airlock evacuates into space, and Conoy is blown out with it – just as Roslin saw him vanish into the night in her dream – and she recognises this fact as well.
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| === Tag ===
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| Later, on ''Galactica'', Starbuck is in her bunkroom where she takes two figurines from a rolled-up cloth: [[Artemis]] and [[Aphrodite]], two of the [[Lords of Kobol]], to whom she offers up a prayer for Conoy.
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| In Adama’s cabin, over a drink of water, he informs Roslin she took one hell of a risk, and asks if she’d care to explain why. “[[Adar|President Adar]] once said that the interesting thing about being a president is that you don’t have to explain yourself to anyone,” Roslin replies. They share a smile at this, Adama’s warm; Roslin’s functional, before her eyes drop away. “Something wrong?” Adama asks. She looks up at him, warmth still lacking as the smile returns to her lips. “No. Nothing at all,” she lies, and Adama’s eyes cloud in doubt.
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| == Questions == | | == Questions == |
| *Why, in her visions, does [[Roslin, Laura|Roslin]] see [[Conoy, Leoben|Conoy]] as he appears ''after'' his beating aboard the ''[[Geminon Traveller]]''
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| *Is Conoy's comment to [[Thrace, Kara|Starbuck]] concerning [[Kobol]] meant personally - that ''she'' will find Kobol - or at least recognise it for what it really is?
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| *How will Roslin react to Conoy's claim about Adama? She has already demonstrated a willingness to readily accept the worst about a person without proof (her reaction to [[Baltar, Gaius|Baltar's]] situation in [[Six Degrees of Separation]])
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| *Why is love so vital to the [[Cylons]]?
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| *Was [[Troy]] destroyed in an genuine accident, making it a convenient "cover" for the Cylone to create [[Valerii, Sharon|Boomer's]] "history", or were they responsible for the destruction of the colony?
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| == Analysis == | | === Answered Questions === |
| “Flesh and Bone” is another tremendously powerful story to come out of the season one arc. It is the first time that everything meshes with a synchronicity that is simply awesome: season arc development, episode arc, character growth, character revelations, religious insights, Cylon and human motivations – all combine into 42 minutes of magnetic television.
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| As usual, the featured actors turn in outstanding performances, with [[McDonnell|Mary McDonnell]] again adding depth and vulnerability to Laura Roslin. Is the President’s hardened attitude a result of her on-going adjustment to the plight of the Colonials, a direct reflection of her growing determination to beat her cancer, or a result of her acceptance that life for her may not be as rich and as full as she may once have hoped? Or is it a combination of all three? Whatever the underpinning reasons, the last few episodes have seen Roslin develop the kind of hard shell one would expect of a leader in her position; and McDonnell’s portrayal of Roslin as she goes through this transition has been outstanding.
| | {{answered questions|season=1|series=RDM|episode=Flesh and Bone}} |
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| [[Sackhoff, Katee|Katee Sackhoff]] also shines in this episode – alongside of [[Rennie, Callum Keith|Callum Keith Rennie]], she has the most time on screen – and she again shows that for a relatively young actress, she has a broad range and depth. At every turn, Thrace’s over-confidence, her flippancy, her inborn doubts, her fear of failure, of being found out – all are so perfectly portrayed through word, look and attitude. | | * Is [[Leoben Conoy]]'s comment to [[Kara Thrace]] concerning {{RDM|Kobol}} meant personally (as in she herself will find Kobol) or in a general sense? |
| But the accolades this week go not to a regular member of the cast, but to Callum Keith Rennie for his portrayal of Leoben Conoy.
| | * How will Roslin react to Conoy's claim about Adama? Considering that she has already demonstrated a willingness to readily accept the worst about a person without proof, as was the case with [[Gaius Baltar|Baltar]] in "[[Six Degrees of Separation]]." |
| | * Why is love so vital to the [[Cylons (RDM)|Cylons]]? |
| | * Other than [[silica pathways]] and the substance discovered by Gaius Baltar in the cremation process of the genetic material of a [[humanoid Cylon]], are there any other major differences between them and humans? |
| | * Do Conoy and the Cylons truly possess powers of prophesy? |
| | * To which Adama does Conoy refer in his final statement to Roslin? |
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| Renee is perhaps best remembered for the (also Canadian-filmed) series “Due South”. At the time, he did not impress – although to be fair, he was trying to fill David Marciano’s considerable shoes. Even so, his appearance in the Battlestar Galactica mini-series, he also fails to engage.
| | === Unanswered Questions === |
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| But in “Flesh and Blood” Callum Keith Rennie proves the faith the producers clearly had in him. His personification of Conoy is a marvel to watch. Not only does he evoke sympathy and concern as he is systematically beaten and tortured; he also maintains a degree of detachment towards the events around him that sufficiently reminds us that, while human-looking, his character is not truly human. By turns he is philosopher, victim, man, child, inquisitor, and agent provocateur – and in all, he is utterly convincing and absorbing. He is a mirror, held up to reflect the angst, the perceptions, bias and insecurity of the human race, as personified by Kara Thrace. Through him we also gain what appears to be a further hint of Cylon capabilities.
| | * Why is Thrace given the job of interrogating Conoy? Why not another officer? |
| | * Was [[Troy (RDM)|Troy]] destroyed in an genuine accident, making it a convenient "cover" for the Cylons to create [[Sharon Valerii]]'s "history," or were they responsible for the destruction of the colony? |
| | * Why does Roslin run towards [[Leoben Conoy]] and away from the [[Marines]] in her dream? |
| | * What did Baltar use as his control sample when testing Boomer's in the Cylon Detector? More of [[Number Five|Doral]]'s hair? A tissue sample from "[[Number Two|the Leoben]] from [[Ragnar Anchorage]]"? |
| | * Was airlocking an execution method used before the Fall, or did Roslin come up with it on her own? |
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| Conoy first turns up in Roslin’s dream – causing her to demand he is interrogated, not destroyed on being discovered. During his interrogation, he demonstrates personal information concerning Thrace’s upbringing, and shortly before his death, he again appears to Roslin, prompting her to go to the Geminon Traveller where he can meet with her and plant a bomb potentially every bit as devastating any the nuclear warhead he claimed to have hidden somewhere in the fleet.
| | == Official Statements == |
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| All of this tends to raise the question: are Cylons – or at least the Conoy model – psychic? Does the ability to transfer their conscious minds at the point of physical death enable them to do other things mentally as well?
| | * ''[[David Eick]] discusses the issues that [[Sci Fi Channel]] had with the episode:'' |
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| It could be argued that Conoy’s knowledge of Thrace has been gleaned from records – perhaps her military file; maybe she revealed things to Boomer on the Galactica, and she was able to communicate them elsewhere. BUT the way in which the half-drowned Conoy talks about Thrace’s mother and upbringing, it seems altogether too personal, as if he is, through describing the events, reliving them – and we see this reflected in the intensity of Thrace’s look. There is more here than has been gleaned from official records and half-revealed anecdotes relayed through a third party.
| | : [This] episode remains somewhat notorious in that it probably represented the most extreme period of tension and disagreement between ourselves and the [[Sci Fi Channel|network]]. I know those stories are legion, and show people like to talk about how they weathered the storms, and put up a good fight, and saved the show from the cretins who've gotten their fingers. That has not been the case with this show at all. We've actually enjoyed a great deal of support and a lot of courageous spiritedness and boldness from this network. |
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| “I ''see'' the universe. I ''see'' the patterns,” Conoy states with the conviction of a man speaking the truth. “I see the foreshadowing that precedes every moment of every day. It’s all there. I see it, and you don’t.” These are the words of a man convinced of the fact that he knows what is to come; how things will end, even before time has run its course, and as such, it is hard not to accept he does not, somehow, have the ability to foretell the future.
| | : However, in that particular case, there were drafts of the script that were pretty extreme in terms of what [[Kara Thrace|Kara [Thrace]]] was going to do to [[Leoben Conoy|Leoben [Conoy]]], and they were emblematic of what was going on at [[w:Guantanomo Bay|Guantanomo]] and places like that, and the connection to our own culture was probably a bit more literal and precise and less metaphorical than it had been [in other episodes of the show]. But as a microcosm, in and of itself, it serves as an example of what Ron was just talking about—which is that we would find ourselves saying things like, "But it’s not a person, why are you telling us to cut the scene where she gouges his eyeballs out?!" |
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| Or is it merely that through words, through the persuasion of his “half-baked philosophy”, Conoy can influence, twist, turn and manipulate to bring about the events and situations he requires in order to give himself the appearance of precognition? Is there any way we, as the audience can tell if Conoy can “see” the future and thus determine how much of the truth he is telling? Well, apparently there is.
| | : No, there wasn't that scene, but "why are you giving us grief about this?" In a way, it became our argument because we were trying to take something real and force the audience to have the same trouble with it that the network was having. Anyway, it was just an interesting microcosm of everything <nowiki>[</nowiki>[[Ron Moore]] was] saying.<ref>[[David Eick]]'s statements about [[Sources:Concurring Opinions Interview with Ron Moore and David Eick/Part 1-B#torture|torture]] in an interview with the Concurring Opinions website.</ref> |
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| As his time runs out, he reveals his surprise to Thrace: “And I told you I had a surprise for you. Are you ready? “You are going to find Kobol, birthplace of us all. Kobol will lead you to Earth. This is my gift to you, Kara.”
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| You are going to find Kobol. The essence of truth – we know that this is indeed what will happen; the Colonials will indeed find Kobol; this much is apparently certain from the title of the two-parter that concludes season 1: “Kobol’s Last Gleaming”. So Conoy is telling a degree of truth.
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| But is he telling the whole truth? On the surface, this comment seems pretty direct. But one thing we have learnt in this series is that nothing is every quite what it seems. Messages are always delivered in layers. And if we strip away the surface gloss to this comment, we come across a deeper meaning: "You are going to find Kobol….This is my gift to ''you'', Kara". There is no mistaking the meaning here: Kobol will be found – but it will be Thrace who realises the fact of the matter. He is almost saying that while the Colonials may find Kobol, it will take Thrace to realise that it is Kobol.
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| Turning to Conoy’s appearance in Roslin’s dreams: is this again an indication that he is in some way “psychic” - or are Roslin’s visions of him simply a side effect of the Kamala extract she is taking? His appearances almost seem to manipulate events and bring about the results he desires / has foreseen: his appearance in her initial dream forestalls his simple destruction on capture; his later appearance brings Roslin to the Geminon Traveller, where he can impart his lie concerning Adama to her. So to dismiss both visions simply as the results of her taking Kamala, may be an over-simplification of the situation.
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| But assuming for a moment the dreams are a side-effect of Roslin's treatment, what does this mean for her? Precognition would seem to fit with the parallels the series has shown with Greek mythology. Could it be that the Kamala is "helping" Roslin to become a Sybil, a seer of future events?
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| However, there is a third explanation: that, as Conoy states, everything that happens in this episode – indeed, everything within the series as a whole – is preordained. That there is indeed a deity manipulating things, drawing both the Colonials and Cylons towards an ultimate goal.
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| Away from the central action, we begin to see the pieces fall into place around Helo on Caprica, with the motivating force behind the Cylon’s activities once more focusing on love.
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| “Love” is a theme that resonate throughout the episode – and indeed, has resonated through the series since Six’s first on-screen appearance with Baltar. As he is interviewed for a news broadcast, she enters his house, a look of adoration on her face. Then, after the interview, as they start to make out, she asks him in a child-like voice, in need of reassurance, “Did you miss me Gaius?” Still kissing and undressing her, he replies, “Can’t you tell?” and her tone grows more petulant, “Your body misses me. What about your heart…your soul?”
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| Intent on sating his lust, Baltar remains flippant, “Yeah, those to,” Six’s voice returns to one of need. “Do you love me Gaius?” When he does answer, she stops him from kissing her, making him look her in the eye. “Do you love me?” It is something he cannot answer except to ask her if she is serious. For a moment there is hurt in Six’s expression – which she covers and still proceeds to have sex with him.
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| Do you love me? The need is real. Could it be that, in carrying her primary mission of sabotage through Baltar, Six did actually come to love him – she actually, if accidentally came to experience that one emotion, that one driving force of life that the Cylons have equated to Godhood, (“God is love”)?
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| If so, it would further reinforce the fact that whatever is in Baltar’s head is not a product of his own mind.
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| Certainly, it is the question of love that appears foremost in this episode – both with Conoy, who returns to it time and again in his references to Cylon religion, and more particularly with Valerii on Caprica, where the first question she is asked after her revelation to Doral and Six that she had sex is “Does he love you?” A comment which is immediately followed by a dismissive “then you’re just guessing,” when she admits he had not actually said as much.
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| Following the interview with Doral and Six, two things are clear: Valerii has fallen for Helo. That much is evident from the flashbacks of her time with him. She also very much shares the memories of Boomer back on Galactica – at least up until the point where Boomer left Helo on Caprica, indicating the various incarnations of a specific humanoid Cylon share experiences throughout their existence – although this may be limited by the distance between one another.
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| Did the Cylons anticipate that any love expressed by a human might be reciprocated by one of their own? If they wish to experience love, then it is hard to see how they could avoid coming to this conclusion. Indeed, it might well explain Doral’s question to Valerii in “Litmus” when Helo sets out to “find” her: “Are you prepared for the next step?” A comment that at the time appeared to have implications well beyond the beating she then received at the hands of Six.
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| Again, putting these items together – the fact that different incarnations of a Cylon humanoid share experiences and the attempts to have Helo fall in love with Valerii on Caprica – go a long way to explaining Six’s very apparent sarcasm and vindictiveness towards Valerii, as witnessed in “Litmus” (“He doesn’t love you,” and the unnecessarily-harsh beating she then gives Valerii), and her jealousy towards Valerii shown in this episode (“She acts like one of them, thinks like one of them. She is one of them”). Why? Because if Baltar’s Six did indeed fall in love with Baltar, then Six on Caprica may well have experienced some of it for herself – a vicarious thrill, the very thing the Cylons seek – but it is down to another to achieve the goal of having a human fall in love with her, not Six.
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| Layers in layers, clues and counter-clues, wheels within wheel all are revealed and all light the path of the story while simultaneously obscuring the truth behind what is happening. Glimpses and shadows of what might be happening, and what might yet come to pass are shown; but like the insidious nature of Conoy’s half-truths and riddles, they serve to weave a story that even here, more than half-way through season one, inspires discussion, evokes enthusiasm and engages the imagination. Long may it continue!
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| All told, “Flesh and Bone” is the strongest story yet to come out of Battlestar Galactica – more than that, it is one of the most thought-provoking and evocative 42 minutes of television drama ever broadcast.
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| == Notes ==
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| *This episode takes place within 24 hours of those portrayed in [[Six Degrees of Separation]]
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| *Galactica’s medico has apparently been successful in his quest for Kamala – Roslin is now using it in her fight against cancer
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| *There are 47,954 survivors in the fleet, presumably including Galactica’s crew, as the figure has fluctuated between 45,000 and 50,000 over the past few weeks in rounded figures
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| *Laura Roslin may have precognition, and / or Cylons may be psychic
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| *Boomer believes her family were all killed – together with almost her entire past in a “tragedy” that destroyed the colony of Troy
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| *Baltar’s Cylon detector works
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| *Baltar now knows Boomer is a Cylon
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| == Noteworthy Dialogue == | | == Noteworthy Dialogue == |
| <i>Conoy to Starbuck, towwards the end of his interrogation, just before Roslin's arrival</i>
| | *''Conoy to Starbuck, towards the end of his interrogation, just before Roslin's arrival:'' |
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| <b>Conoy:</b> Each of us plays a role; each time a different role. Maybe the last time I was the interrogator and you were the prisoner. The players change, the story remains the same. And this time – this time – your role is to deliver my soul unto God. Do it for me. It’s your destiny. And mine. (PAUSE) And I told you I had a surprise for you. Are you ready? You are going to find [[Kobol]], birthplace of us all. Kobol will lead you to Earth. This is my gift to you, Kara.
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| == Official Statements ==
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| <!-- Use bullets or standard paragraph form. Please use links to sources!!! -->
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| <!-- If you wish to create the source within the Battlestar Wiki, then do so! -->
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| == Statistics ==
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| <!-- All the odds and ends items go here. -->
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| === Guest Stars ===
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| <!-- Please use this format when listing actor/characters. -->
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| <!-- Also don't forget to link characters through the Wiki by using the brackets: [[ ]] -->
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| *[http://us.imdb.com/M/person-exact?+Callum+Keith+Rennie Callum Keith Rennie] as [[Conoy, Leoben|Conoy]]
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| *[http://us.imdb.com/M/person-exact?+Matthew+Bennett Matthew Bennett] as [[Doral, Aaron|Doral]]
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| *[http://us.imdb.com/M/person-exact?+Christina+Schild Christina Schild] as [[Kohn, Playa|Playa Kohn]]
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| *[http://us.imdb.com/M/person-exact?+Biski+Guggushe Biski Gugushe] as [[Hamilton, Sekou|Hamilton]]
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| **[http://us.imdb.com/M/person-exact?+Eric+Breker Eric Breker] as Geminon Traveller Captain
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| <!-- Please link people to the Internet Movie DataBase (IMDB). -->
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| <!-- Example of Link [http://us.imdb.com/M/person-exact?+Edward+James+Olomos Edward James Olmos] -->
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| === Writing & Direction ===
| | :'''Conoy:''' Each of us plays a role; each time a different role. Maybe the last time I was the interrogator and you were the prisoner. The players change, the story remains the same. And this time – this time – your role is to deliver my soul unto God. Do it for me. It’s your destiny. And mine. (He pauses) And I told you I had a surprise for you. Are you ready? You are going to find {{RDM|Kobol}}, birthplace of us all. Kobol will lead you to Earth. This is my gift to you, Kara. |
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| *Written by [http://us.imdb.com/M/person-exact?+Toni+Graphia Toni Graphia] | | == Guest stars == |
| *Directed by [http://us.imdb.com/M/person-exact?+Brad+Turner Brad Turner] | | *[[Michael Hogan]] as Colonel [[Saul Tigh]] |
| | *[[Aaron Douglas]] as Chief [[Galen Tyrol]] |
| | *[[Tahmoh Penikett]] as Lieutenant [[Karl Agathon|Karl "Helo" Agathon]] |
| | *[[Kandyse McClure]] as Petty Officer [[Anastasia Dualla]] |
| | *[[Paul Campbell]] as [[Billy Keikeya]] |
| | *[[Callum Keith Rennie]] as [[Leoben Conoy]] |
| | *[[Matthew Bennett]] as [[Aaron Doral]] |
| | *[[Christina Schild]] as [[Playa Palacios|Playa Kohn]] |
| | *[[Eric Breker]] as ''[[Gemenon Traveler]]'' Captain |
| | *[[Biski Gugushe]] as [[Sekou Hamilton]] |
| | *[[Sandra Guerard]] as Reporter |
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| <!-- Please link people to the Internet Movie DataBase (IMDB). -->
| | == References == |
| <!-- Example of Link [http://us.imdb.com/M/person-exact?+Edward+James+Olmos Edward James Olomos] -->
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| === Production Notes ===
| | {{reflist}} |
| *Series 1 (2004 / 2005)
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| *Production Number: 1.08
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| *Airdate Order: 8 (of 13)
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|
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| === First Run Air Dates & Releases ===
| | {{episode list (RDM season 1)}} |
|
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| *UK Airdate: 22 November 2004 (Sky One)
| | [[Category:Episodes written by Toni Graphia]] |
| *US Airdate: (Sci-Fi Channel)
| | [[Category:Episodes directed by Brad Turner]] |
| *DVD Release: N/A
| | [[Category:RDM]] |
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| {{Category: Episode Guide}}
| | [[de:Fleisch und Blut]] |
| {{Category: A to Z}}
| | [[fr:Épisode:De chair et de sang]] |
2005-02-25
2005-03-05
2004-12-06
)