Podcast:Colonial Day - Revision history

Joe Beaudoin Jr.: Text replacement - "[[The Twelve Colonies (RDM)" to "[[The Twelve Colonies of Kobol"

2025-06-15T21:29:35Z

Text replacement - "[[The Twelve Colonies (RDM)" to "[[The Twelve Colonies of Kobol"

← Older revision		Revision as of 21:29, 15 June 2025
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	== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_4of5.mp3 Act Three] ==		== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_4of5.mp3 Act Three] ==

	Like I was saying before- now we're back on [[The Twelve Colonies ~~(RDM)~~#Caprica\|Caprica]] of course- and before we- let's just put off talking about Caprica for the moment- the jeopardy component of "[[Colonial Day]]" I don't think is entirely satisfying, I know I was never satisfied with it, it's never really a full-blown assassination attempt, we never have the sniper rifle or		Like I was saying before- now we're back on [[The Twelve Colonies of Kobol#Caprica\|Caprica]] of course- and before we- let's just put off talking about Caprica for the moment- the jeopardy component of "[[Colonial Day]]" I don't think is entirely satisfying, I know I was never satisfied with it, it's never really a full-blown assassination attempt, we never have the sniper rifle or
	weapon with [[Laura Roslin\|Laura]] in the crosshairs and you're building the tension of will they get to the sniper before he pulls the trigger and will [[Lee Adama\|Lee]] knock her down and we never really play any of that because I didn't really want to, I didn't really want to play that, I just felt like that was a little too easy, it was a little too predictable, I didn't find a lot in that that really interested me personally and yet I did acknowledge that there was a need for some kind of jeopardy and tension in the show beyond the political. So I sort of went with the assassination thing to an extent and I think that in overall feeling, the episode kind of falls between two ideas a little bit, I think I really like the Laura story, I love [[Mary McDonnell\|Mary]] in the show, I'm really intrigued with the political dynamics of it but the politics of it never quite spin, it never becomes quite dire enough to sustain it, the political situation takes a while to set up, it's a lot of complicated ideas, there's maneuverings back and forth and I never found a way to really make that story so dynamic and so intriguing and so fraught with jeopardy and tension that you felt like you didn't need anything else and yet the assassination story is never quite in the line of fire or something, like I said you never look through the crosshairs of the sniper and you're never really playing that all the way either. So I think the episode is a little soft as a result it never quite becomes a barn-burner of an episode, all that said it has some of my favorite bits in it. I mean I really like this storyline on Caprica, I think it's satisfying and it moves the Caprica storyline along quickly, I like the performances a lot in this episode, I really like the direction, this was directed by a friend of mine [[imdb:nm0665321\|J. Pate]], he and his brother [[imdb:nm0665322\|Josh]] were the creators and showrunners behind a little show that I worked on briefly called [[imdb:tt0195462\|G vs. E]] or Good Versus Evil which is how I came to meet my partner [[imdb:nm0251594\|David Eick]] and that show used to be on [[wikipedia:USA_Network\|USA]] and then it migrated to the [[wikipedia:Sci_Fi_Channel_%28United_States%29\|Sci-Fi channel]], it only lasted really one season but it was great, it was just a great episode, they were really, really smart, young, very young, directors and writers and this episode works in large measure because of the work that J did on it. I think he brings a lot of tension to these scenes, he really knew how to shoot like I said what was not the greatest assassination conspiracy show and he kinda gives it a lot of life and I think that these scenes work as a result of the director elevating the material and the actors also elevate the material within it. This stuff is all fairly straight ahead, it's the interrogation scene. You've seen riffs on this for years and years and years, this works because J makes it work, he knows where to put the camera, he knows when to go to people, it's edited well, you've got three good actors in the room, I mean this little bit with Kara is tremendous, the wink, adding the right note of cynicism and jeopardy into the scene.		weapon with [[Laura Roslin\|Laura]] in the crosshairs and you're building the tension of will they get to the sniper before he pulls the trigger and will [[Lee Adama\|Lee]] knock her down and we never really play any of that because I didn't really want to, I didn't really want to play that, I just felt like that was a little too easy, it was a little too predictable, I didn't find a lot in that that really interested me personally and yet I did acknowledge that there was a need for some kind of jeopardy and tension in the show beyond the political. So I sort of went with the assassination thing to an extent and I think that in overall feeling, the episode kind of falls between two ideas a little bit, I think I really like the Laura story, I love [[Mary McDonnell\|Mary]] in the show, I'm really intrigued with the political dynamics of it but the politics of it never quite spin, it never becomes quite dire enough to sustain it, the political situation takes a while to set up, it's a lot of complicated ideas, there's maneuverings back and forth and I never found a way to really make that story so dynamic and so intriguing and so fraught with jeopardy and tension that you felt like you didn't need anything else and yet the assassination story is never quite in the line of fire or something, like I said you never look through the crosshairs of the sniper and you're never really playing that all the way either. So I think the episode is a little soft as a result it never quite becomes a barn-burner of an episode, all that said it has some of my favorite bits in it. I mean I really like this storyline on Caprica, I think it's satisfying and it moves the Caprica storyline along quickly, I like the performances a lot in this episode, I really like the direction, this was directed by a friend of mine [[imdb:nm0665321\|J. Pate]], he and his brother [[imdb:nm0665322\|Josh]] were the creators and showrunners behind a little show that I worked on briefly called [[imdb:tt0195462\|G vs. E]] or Good Versus Evil which is how I came to meet my partner [[imdb:nm0251594\|David Eick]] and that show used to be on [[wikipedia:USA_Network\|USA]] and then it migrated to the [[wikipedia:Sci_Fi_Channel_%28United_States%29\|Sci-Fi channel]], it only lasted really one season but it was great, it was just a great episode, they were really, really smart, young, very young, directors and writers and this episode works in large measure because of the work that J did on it. I think he brings a lot of tension to these scenes, he really knew how to shoot like I said what was not the greatest assassination conspiracy show and he kinda gives it a lot of life and I think that these scenes work as a result of the director elevating the material and the actors also elevate the material within it. This stuff is all fairly straight ahead, it's the interrogation scene. You've seen riffs on this for years and years and years, this works because J makes it work, he knows where to put the camera, he knows when to go to people, it's edited well, you've got three good actors in the room, I mean this little bit with Kara is tremendous, the wink, adding the right note of cynicism and jeopardy into the scene.

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	This little beat here is kind of interesting because there's sort of a natural inclination on some level to try to build a budding relationship, a romance between Laura and [[William Adama\|Adama]], I mean they're the two leads and their positions make them unique and you can't imagine them being with anybody else in the fleet so y'know and you start wondering whether you'll ever hook them up together- there you can sort of see Baltar and Starbuck having a thing- this is as close as I wanted to get, this is sort of like they are a man and a woman and they are both attractive, intelligent, smart people with a lot of strength and on some level that has to attract each of them to the other if in just a very slight way so let's give 'em a moment where just for a moment the President and the Commander actually go and have a dance and they play it beautifully. I mean look at the look on [[Edward James Olmos\|Eddie]]'s face and look at [[Mary McDonnell\|Mary]], there's just such an interesting, nice level of comfort to this moment especially given what's going to happen in the next episode and all of this is like y'know, all these sort of nice, good feelings because in the next episode things go VERY BAD for all these people. And I wanted to sort of set that table a little bit, I wanted you to see them, this is the sort of world there might be and how happy they are the night before the next stage of the story which is fast approaching and things are never going to be quite the same for any of them after the events of the next two episodes, 'Kobol's Last Gleaming' one and [[Kobol's Last Gleaming, Part II\|two]]. This relationship between [[Ellen Tigh\|Ellen]] and [[Saul Tigh\|Tigh]], and Tigh and what she wants out of him and what she hopes to be and what he can be and what he wants to be are things that we are exploring in the very first couple of episodes of the [[Season 2 (2005-06)\|second season]] which we're working on right now, in fact as I sit here recording this we're in prep on the first two episodes of the second season which will be a two part episode to open the season with.		This little beat here is kind of interesting because there's sort of a natural inclination on some level to try to build a budding relationship, a romance between Laura and [[William Adama\|Adama]], I mean they're the two leads and their positions make them unique and you can't imagine them being with anybody else in the fleet so y'know and you start wondering whether you'll ever hook them up together- there you can sort of see Baltar and Starbuck having a thing- this is as close as I wanted to get, this is sort of like they are a man and a woman and they are both attractive, intelligent, smart people with a lot of strength and on some level that has to attract each of them to the other if in just a very slight way so let's give 'em a moment where just for a moment the President and the Commander actually go and have a dance and they play it beautifully. I mean look at the look on [[Edward James Olmos\|Eddie]]'s face and look at [[Mary McDonnell\|Mary]], there's just such an interesting, nice level of comfort to this moment especially given what's going to happen in the next episode and all of this is like y'know, all these sort of nice, good feelings because in the next episode things go VERY BAD for all these people. And I wanted to sort of set that table a little bit, I wanted you to see them, this is the sort of world there might be and how happy they are the night before the next stage of the story which is fast approaching and things are never going to be quite the same for any of them after the events of the next two episodes, 'Kobol's Last Gleaming' one and [[Kobol's Last Gleaming, Part II\|two]]. This relationship between [[Ellen Tigh\|Ellen]] and [[Saul Tigh\|Tigh]], and Tigh and what she wants out of him and what she hopes to be and what he can be and what he wants to be are things that we are exploring in the very first couple of episodes of the [[Season 2 (2005-06)\|second season]] which we're working on right now, in fact as I sit here recording this we're in prep on the first two episodes of the second season which will be a two part episode to open the season with.

	Here we are back on [[The Twelve Colonies ~~(RDM)~~#Caprica\|Caprica]] and this is where it all kind of comes to a head, [[Karl Agathon\|Helo]]'s been with [[Sharon Valerii (Caprica copy)\|Sharon]] this entire journey, he has accepted her as [[Sharon Valerii (Galactica copy)\|Sharon]], I mean, why wouldn't he? He has seen some strange things, he's seen that there are at least clones or doubles or something weird of humanoids out there, that the blonde Number Six has appeared more than once and that got his attention- that's the new [[Heavy Raider]] in the background by the way as opposed to the more conventional [[Cylon Raider\|Raider]] that Kara captured, that one we call the Heavy Raider- but until this point Helo has never really questioned whether the woman he's with is really Sharon. He knows that the [[Cylons (RDM)\|Cylons]] are up to something strange y'know I mean what is all this? I mean their sort of ostensible explanation is that they're cloning people is sort of what Sharon said just to get him to not think about the fact that maybe the Cylons look like people, that they can look like her because she certainly didn't want him to think that. At this point Sharon has been on her own- God I'm so- I apologize for the dogs they're going crazy- at this point Sharon has been on her own agenda trying to help Helo get off the planet because she has developed real feelings for him and that was not part of the plan, it was never part of the plan for Sharon to develop actual feelings for Helo and this is the moment of truth; he looks up and 'wait a minute, oh my God, how could this be?' Bang, bang. It's always nice to squib people and watch their chests explode, it's one of the fun things about doing film and television. Love that shot, that's like a great, great shot. This was all very complicated in editing, flashing back, sort of reminding you of the journey he's been on as he puts the pieces together, this was just one of those things because on the day of when they were shooting this they were very pressed for time you could see they were losing the light, they were losing the location, time was at a premium and they didn't really have a lot of time to do a lot of shots so they had to create a lot of this sort of ending in the editing room and I love this last moment of Sharon.		Here we are back on [[The Twelve Colonies of Kobol#Caprica\|Caprica]] and this is where it all kind of comes to a head, [[Karl Agathon\|Helo]]'s been with [[Sharon Valerii (Caprica copy)\|Sharon]] this entire journey, he has accepted her as [[Sharon Valerii (Galactica copy)\|Sharon]], I mean, why wouldn't he? He has seen some strange things, he's seen that there are at least clones or doubles or something weird of humanoids out there, that the blonde Number Six has appeared more than once and that got his attention- that's the new [[Heavy Raider]] in the background by the way as opposed to the more conventional [[Cylon Raider\|Raider]] that Kara captured, that one we call the Heavy Raider- but until this point Helo has never really questioned whether the woman he's with is really Sharon. He knows that the [[Cylons (RDM)\|Cylons]] are up to something strange y'know I mean what is all this? I mean their sort of ostensible explanation is that they're cloning people is sort of what Sharon said just to get him to not think about the fact that maybe the Cylons look like people, that they can look like her because she certainly didn't want him to think that. At this point Sharon has been on her own- God I'm so- I apologize for the dogs they're going crazy- at this point Sharon has been on her own agenda trying to help Helo get off the planet because she has developed real feelings for him and that was not part of the plan, it was never part of the plan for Sharon to develop actual feelings for Helo and this is the moment of truth; he looks up and 'wait a minute, oh my God, how could this be?' Bang, bang. It's always nice to squib people and watch their chests explode, it's one of the fun things about doing film and television. Love that shot, that's like a great, great shot. This was all very complicated in editing, flashing back, sort of reminding you of the journey he's been on as he puts the pieces together, this was just one of those things because on the day of when they were shooting this they were very pressed for time you could see they were losing the light, they were losing the location, time was at a premium and they didn't really have a lot of time to do a lot of shots so they had to create a lot of this sort of ending in the editing room and I love this last moment of Sharon.

	Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now		Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now

Joe Beaudoin Jr.: /* Teaser */

2025-01-05T03:55:19Z

Teaser

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	== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==		== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==

	Hello and welcome to the podcast commentary of episode eleven, [[Colonial Day]]. I am [[Ronald D. Moore]] the executive producer and creator of the new [[Battlestar Galactica (RDM)\|Battlestar Galactica]] and tonight we're going to be talking about the eleventh episode of the first season Colonial Day. This was- essentially began life as our [[wikipedia:The_West_Wing_%28television%29\|West Wing]] episode and we'd always wanted to do an episode that really took place in [[Laura Roslin]]'s world and really dealt with the politics of [[The Fleet (RDM)\|the fleet]] and [[Galactica (RDM)\|Galactica]] and the people and the survivors of the human race and how that would evolve over the course of the series.		Hello and welcome to the podcast commentary of episode eleven, [[Colonial Day]]. I am [[Ronald D. Moore]] the executive producer and creator of the new [[Battlestar Galactica (RDM)\|Battlestar Galactica]] and tonight we're going to be talking about the eleventh episode of the first season Colonial Day. This was- essentially began life as our [[wikipedia:The_West_Wing_%28television%29\|''West Wing'']] episode and we'd always wanted to do an episode that really took place in [[Laura Roslin]]'s world and really dealt with the politics of [[The Fleet (RDM)\|the fleet]] and [[Galactica (RDM)\|Galactica]] and the people and the survivors of the human race and how that would evolve over the course of the series.

	As I was developing the show early on and setting up the major players I felt very strongly that the President should be a very important player in the show. In the original [[Battlestar Galactica (TOS)\|''Battlestar Galactica'']] there was a [[Quorum of Twelve (TOS)\|Quorum of Twelve]], which is [[Quorum of Twelve\|reprised]] in this episode, of political leaders of [[The Twelve Colonies (TOS)\|The Twelve Colonies]] which before the attack of the [[Cylons (TOS)\|Cylons]] in the original ''Galactica'' the Quorum of Twelve was the political quasi-military leadership of the Twelve Colonies.		As I was developing the show early on and setting up the major players I felt very strongly that the President should be a very important player in the show. In the original [[Battlestar Galactica (TOS)\|''Battlestar Galactica'']] there was a [[Quorum of Twelve (TOS)\|Quorum of Twelve]], which is [[Quorum of Twelve\|reprised]] in this episode, of political leaders of [[The Twelve Colonies (TOS)\|The Twelve Colonies]] which before the attack of the [[Cylons (TOS)\|Cylons]] in the original ''Galactica'' the Quorum of Twelve was the political quasi-military leadership of the Twelve Colonies.

Joe Beaudoin Jr.: intro, tweaks

2025-01-05T03:54:48Z

intro, tweaks

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Catrope: tweak

2008-02-27T19:17:25Z

tweak

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Serenity at 19:13, 27 February 2008

2008-02-27T19:13:55Z

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Catrope: {{podcast data}}

2008-02-27T18:57:27Z

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	{{podcast\|~~author~~=Misco\|~~emailAuthor2~~=\|~~suffix~~=\|~~additionalCopyright~~=\|~~season~~=1\|~~episode~~=3}}		{{Podcast Data
			\|special=
			\|season= 1
			\|episode= 11
			\|download link= http://media.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_FULL.mp3
			\|local=
			\|posted date=
			\|transcribed by= [[User:Misco]]
			\|verified by= [[User:Steelviper]]<br/>[[User:Shane]]
			\|length=
			\|finished= Y
			\|verified= Y
			\|scotch=
			\|smokes=
			\|wordoftheweek=
			\|rdm= Y
			\|mrsron=
			}}

	== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==		== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==

Mercifull: typos

2007-04-19T11:19:37Z

typos

← Older revision		Revision as of 11:19, 19 April 2007
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	hadn't been any intimation of that so I used that little- when I had the chance to go back in and write an extra scene, I wanted to use it to serve two masters, to sort of touch on the assassination story one more time and also to set up the ending because what's also happening in this show is the subplots of Baltar and his interest in women in general and in Kara specifically and the budding sort of interest, are they or aren't they between Lee and Kara which you kinda knew we were going to do eventually but I was always reticent to do and always wanted to be careful how we went in that territory and if we went in that territory at all and where this leads into the next episode and into "Kobol's Last Gleaming" is quite interesting in my opinion.		hadn't been any intimation of that so I used that little- when I had the chance to go back in and write an extra scene, I wanted to use it to serve two masters, to sort of touch on the assassination story one more time and also to set up the ending because what's also happening in this show is the subplots of Baltar and his interest in women in general and in Kara specifically and the budding sort of interest, are they or aren't they between Lee and Kara which you kinda knew we were going to do eventually but I was always reticent to do and always wanted to be careful how we went in that territory and if we went in that territory at all and where this leads into the next episode and into "Kobol's Last Gleaming" is quite interesting in my opinion.

	Love this, this whole sequence when we temped- when you watch this in the editing bay in the first director's cut they put in temp music or temp tracks as they're called from all kinds of places, cd's, other soundtracks, whatever- his entrance here as soon as the lights come on and everybody started applauding they temped it in with (sings) "Fly me to the moon and let me swing among the stars..." it was so great, I laughed and loved it and we kept it in the temp track until somebody just said, "Oh come on you can't really play '[[wikipedia:Fly_Me_To_The_Moon\|Fly me to the Moon]]' can you?" And y'know there is a part of me that just wanted to play 'Fly Me to the Moon' to be honest because I think there's larger ideas within the show- there's Kara in her dress- there's larger ideas in the show that we're starting to explore more and more, this notion of 'all of this has happened before and all of this has happened again' and inherent in that idea is a sense of cycle, that things are cycled back through, that all of the events you are watching right now have played themselves out many times before in various guises with various players and that things would start to be the same, that certain ideas, concepts, words, language, would maybe not be the same in each iteration of the cycle but might crop up again and again, that perhaps they do wear suits and ties, maybe the next time wear togas and maybe next time at some later version there is a version of 'Fly me to the Moon' floating out there in the society and what's the connection between this culture and what's established in this culture and our own, what happens on Earth? Well, that's all remains to be seen, you'll have to watch the rest of the series to get all of that. But I wasn't completely opposed to the idea of 'Fly Me to the Moon' in this episode because I think you can go there with this series, I think you can start to play things that are familiar and interesting and mysterious and let the the audience start to wonder what the connections are because there is a connection, there is ~~defintely~~ a connection between all these events and Earth events and I think that's part of what makes the series fascinating is trying to sort of divine what these connections are and where they're going.		Love this, this whole sequence when we temped- when you watch this in the editing bay in the first director's cut they put in temp music or temp tracks as they're called from all kinds of places, cd's, other soundtracks, whatever- his entrance here as soon as the lights come on and everybody started applauding they temped it in with (sings) "Fly me to the moon and let me swing among the stars..." it was so great, I laughed and loved it and we kept it in the temp track until somebody just said, "Oh come on you can't really play '[[wikipedia:Fly_Me_To_The_Moon\|Fly me to the Moon]]' can you?" And y'know there is a part of me that just wanted to play 'Fly Me to the Moon' to be honest because I think there's larger ideas within the show- there's Kara in her dress- there's larger ideas in the show that we're starting to explore more and more, this notion of 'all of this has happened before and all of this has happened again' and inherent in that idea is a sense of cycle, that things are cycled back through, that all of the events you are watching right now have played themselves out many times before in various guises with various players and that things would start to be the same, that certain ideas, concepts, words, language, would maybe not be the same in each iteration of the cycle but might crop up again and again, that perhaps they do wear suits and ties, maybe the next time wear togas and maybe next time at some later version there is a version of 'Fly me to the Moon' floating out there in the society and what's the connection between this culture and what's established in this culture and our own, what happens on Earth? Well, that's all remains to be seen, you'll have to watch the rest of the series to get all of that. But I wasn't completely opposed to the idea of 'Fly Me to the Moon' in this episode because I think you can go there with this series, I think you can start to play things that are familiar and interesting and mysterious and let the the audience start to wonder what the connections are because there is a connection, there is definitely a connection between all these events and Earth events and I think that's part of what makes the series fascinating is trying to sort of divine what these connections are and where they're going.

	This little bit at the end is just sort of one of the few times that we ever see the cast and the characters just kinda relaxing and letting down their hair and having a celebratory moment, it felt right, it's like okay we've been through this long trauma of the season, now they've had a political thing and nearly an assassination, let 'em enjoy themselves, it's [[Colonial Day (holiday)\|Colonial Day]], I mean it's their [[wikipedia:Independence_Day_%28United_States%29\|Fourth of July]] and if they can't celebrate and try to relax on this one day then they really never are and I never saw the series that way, I never saw that they would be so bleak and so desperate and so unpleasant a place that they could never smile and they could never relax, it's all about context and it's about when you decide to do that.		This little bit at the end is just sort of one of the few times that we ever see the cast and the characters just kinda relaxing and letting down their hair and having a celebratory moment, it felt right, it's like okay we've been through this long trauma of the season, now they've had a political thing and nearly an assassination, let 'em enjoy themselves, it's [[Colonial Day (holiday)\|Colonial Day]], I mean it's their [[wikipedia:Independence_Day_%28United_States%29\|Fourth of July]] and if they can't celebrate and try to relax on this one day then they really never are and I never saw the series that way, I never saw that they would be so bleak and so desperate and so unpleasant a place that they could never smile and they could never relax, it's all about context and it's about when you decide to do that.
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	Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now		Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now
	that the show is over and next time I will be taking you through "Kobol's Last Gleaming", the finale of the season and perhaps we'll talk a little bit more about upcoming episodes, the episodes that we're currently ~~preppng~~ for season two, and I will talk to you then so thank you for listening.		that the show is over and next time I will be taking you through "Kobol's Last Gleaming", the finale of the season and perhaps we'll talk a little bit more about upcoming episodes, the episodes that we're currently preparing for season two, and I will talk to you then so thank you for listening.

	{{Podcast list (RDM season 1)}}		{{Podcast list (RDM season 1)}}

Mercifull: adding podcast list

2007-04-19T11:18:25Z

adding podcast list

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	Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now		Okay and that's the end of "[[Colonial Day]]", I hope you enjoyed it, and of course the dogs have stopped barking now
	that the show is over and next time I will be taking you through "Kobol's Last Gleaming", the finale of the season and perhaps we'll talk a little bit more about upcoming episodes, the episodes that we're currently preppng for season two, and I will talk to you then so thank you for listening.		that the show is over and next time I will be taking you through "Kobol's Last Gleaming", the finale of the season and perhaps we'll talk a little bit more about upcoming episodes, the episodes that we're currently preppng for season two, and I will talk to you then so thank you for listening.

			{{Podcast list (RDM season 1)}}

Steelviper: + season, episode variables

2007-02-27T21:14:44Z

+ season, episode variables

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	{{podcast\|author=Misco\|emailAuthor2=\|suffix=\|additionalCopyright=}}		{{podcast\|author=Misco\|emailAuthor2=\|suffix=\|additionalCopyright=\|season=1\|episode=3}}

	== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==		== [http://www.scifi.com/battlestar/downloads/podcast/mp3/111/bsg_ep111_1of5.mp3 Teaser] ==

Steelviper: minor changes from verification

2006-08-14T15:21:52Z

minor changes from verification

Show changes